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pro vyhledávání: '"Brynn W. Shiovitz"'
Autor:
Brynn W. Shiovitz
Publikováno v:
Behind the Screen ISBN: 0197553095
Adding a level of optical technology to the novelty of sound in the wake of the Great Depression, Chapter 2 “Optical Illusion and Design: Exposure Values, Protean Guises, and Eddie Cantor’s Blackface 1930–1933,” investigates Busby Berkeley’
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::93105c654cd75bd2fe9aec2f45e318fa
https://doi.org/10.1093/oso/9780197553091.003.0003
https://doi.org/10.1093/oso/9780197553091.003.0003
Autor:
Brynn W. Shiovitz
Publikováno v:
Behind the Screen ISBN: 0197553095
For a brief moment in the 1940s, the United States was forced to reconsider Black representation in cinema as part of supporting Black involvement in World War II. Activated by the Double V campaign people of color and liberal Whites worked together
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::643f022cba55a8ae806a8aae49fa4843
https://doi.org/10.1093/oso/9780197553091.003.0008
https://doi.org/10.1093/oso/9780197553091.003.0008
Autor:
Brynn W. Shiovitz
Publikováno v:
Behind the Screen ISBN: 0197553095
Chapter 1 situates Al Jolson’s blackface within a technological revolution. Understanding the impact that the “coming of sound” had on the visual image and its role in offsetting racial caricature from 1927 to 1930—the “pre-Code” era—la
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dea985ad1ef5be79f5b68215ec1b5dca
https://doi.org/10.1093/oso/9780197553091.003.0002
https://doi.org/10.1093/oso/9780197553091.003.0002
Autor:
Brynn W. Shiovitz
Publikováno v:
Behind the Screen ISBN: 0197553095
Covert minstrelsy becomes more pervasive in Hollywood when Will Hays appoints Joseph Breen to lead the censorship review board. Chapter 4 begins during this shift in the Production Code Administration (PCA). The minstrel show-within-a-show continues
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6f989aecd43d4939929b4af492c0b4e0
https://doi.org/10.1093/oso/9780197553091.003.0005
https://doi.org/10.1093/oso/9780197553091.003.0005
Autor:
Brynn W. Shiovitz
Publikováno v:
Behind the Screen ISBN: 0197553095
Storylines that relied on overblown racial caricature had mostly disappeared by the end of 1934. What remained was a strong use of the citational guise in the form of “Black heaven,” a subset of covert minstrelsy I refer to as the Gabriel variati
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c6b5f0ab93013011fca2418e8ae9410f
https://doi.org/10.1093/oso/9780197553091.003.0006
https://doi.org/10.1093/oso/9780197553091.003.0006
Autor:
Brynn W. Shiovitz
Publikováno v:
Behind the Screen ISBN: 0197553095
Chapter 3 looks beyond Hollywood’s high-budget films intended for White spectatorship by reading independently produced race films alongside the racial caricature produced in mainstream Hollywood. Beginning with an analysis of race film, this chapt
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ff1899805a8c1006bdcbd3134cf4eacf
https://doi.org/10.1093/oso/9780197553091.003.0004
https://doi.org/10.1093/oso/9780197553091.003.0004
Autor:
Brynn W. Shiovitz
Publikováno v:
Behind the Screen ISBN: 0197553095
Chapter 6 examines the radical aesthetic shift that animation technology made possible. It documents how this transition not only aided in what was imaginable artistically, technically, visually, and sonically but also how it naturalized laws of the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::df0e1561997b0480f7d02910a191905d
https://doi.org/10.1093/oso/9780197553091.003.0007
https://doi.org/10.1093/oso/9780197553091.003.0007
Autor:
Brynn W. Shiovitz
Publikováno v:
Behind the Screen ISBN: 0197553095
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e5cd1884dac6a8f15ae7f62a14dff0ca
https://doi.org/10.1093/oso/9780197553091.005.0003
https://doi.org/10.1093/oso/9780197553091.005.0003
Autor:
Brynn W. Shiovitz
Publikováno v:
Behind the Screen ISBN: 0197553095
The Introduction offers some historical background and defines key terms which will support a deeper understanding of the story which ensues. Beginning with some background on the Production Code (also called the Hays Code), The chapter explains that
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cf713dc1b61510df5acb9b877a90bcef
https://doi.org/10.1093/oso/9780197553091.003.0001
https://doi.org/10.1093/oso/9780197553091.003.0001
Autor:
Brynn W. Shiovitz
Introducing a new theory of covert minstrelsy, this book illumines Hollywood’s practice of capitalizing on the Africanist aesthetic at the expense of Black lived experience. The book looks at how and why outdated racial content, and specifically bl
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::549b494394452b21fef25cfca87f304d
https://doi.org/10.1093/oso/9780197553091.001.0001
https://doi.org/10.1093/oso/9780197553091.001.0001