Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Bruno Mottin"'
Autor:
Bruno Mottin
Publikováno v:
Technè. :58-65
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::56dd0beae508f1afe3cfebb17b282698
https://doi.org/10.4000/techne.11013
https://doi.org/10.4000/techne.11013
Autor:
Bruno Mottin
Publikováno v:
Technè. :90-97
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::de19fc4f8302d77817c8088bf33add9d
https://doi.org/10.4000/techne.11343
https://doi.org/10.4000/techne.11343
Publikováno v:
Technè. :4-9
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f72974eb9922ad1687567ec2fb7bc196
https://doi.org/10.4000/techne.10594
https://doi.org/10.4000/techne.10594
Autor:
Bruno Mottin
Publikováno v:
Technè. :30-38
Une étude de laboratoire a été menée sur quatorze peintures de Bazille et de son entourage. Ce travail a permis de préciser les phases d’exécution de plusieurs œuvres, d’identifier des repentirs, de retrouver des compositions sous-jacentes
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6508be305fe714dfd865335b45c060f4
https://doi.org/10.4000/techne.335
https://doi.org/10.4000/techne.335
Le Portrait d’Antoine de La Roque (Tokyo, Fuji Art Museum) est généralement considéré comme une œuvre d’Antoine Watteau et a été gravé sous ce nom par François-Bernard Lépicié, vers 1734, pour le Recueil Jullienne. Les historiens d’a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b3dc61324142cee96f5e49003cd361d7
http://journals.openedition.org/techne/6960
http://journals.openedition.org/techne/6960
Publikováno v:
Applied Physics A. 121:903-913
Examination of Gustave Courbet’s L’Homme blesse (Musee d’Orsay, Paris), a painting with three successive compositions on a single canvas, was undertaken with scanning electron microscopy coupled with an energy-dispersive X-ray analyzing system
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::66273f74d042fefeb278fb166be02a92
https://doi.org/10.1007/s00339-015-9428-1
https://doi.org/10.1007/s00339-015-9428-1
Publikováno v:
Applied Physics A. 121:849-856
This work focuses on the composition and microstructure of the lead white pigment employed in a set of paintworks, using a combination of µ-XRD and 2D scanning XRF, directly applied on five drapery studies attributed to Leonardo da Vinci (1452–151
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9d20344dbeab0e67eff5d1fbfbae2052
https://doi.org/10.1007/s00339-015-9365-z
https://doi.org/10.1007/s00339-015-9365-z
Autor:
Ina Reiche, Myriam Eveno, Katharina Müller, Thomas Calligaro, Laurent Pichon, Eric Laval, Erin Mysak, Bruno Mottin
Publikováno v:
inArt 2016 ISBN: 9783662554166
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c2cd3444d837a62f7f7e4d7e4cb8e077
https://doi.org/10.1007/978-3-662-55417-3_21
https://doi.org/10.1007/978-3-662-55417-3_21
Autor:
Laurent Pichon, Myriam Eveno, Eric Laval, Katharina Müller, Ina Reiche, Erin Mysak, Thomas Calligaro, Bruno Mottin
Publikováno v:
Applied Physics A. 122
The painting L’Homme blesse by Gustave Courbet kept at the Musee d’Orsay in Paris has been recently studied by X-ray radiography, SEM–EDX observation of paint cross sections and confocal micro-X-ray fluorescence analyses (CXRF) at locations whe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::265f8649f080586f028695612980019c
https://doi.org/10.1007/s00339-016-0457-1
https://doi.org/10.1007/s00339-016-0457-1