Zobrazeno 1 - 10
of 54
pro vyhledávání: '"Bronwyn Ormsby"'
Publikováno v:
Heritage Science, Vol 12, Iss 1, Pp 1-4 (2024)
Externí odkaz:
https://doaj.org/article/06dfe1152408442295b40be16cdd3cc9
Publikováno v:
Heritage Science, Vol 11, Iss 1, Pp 1-14 (2023)
Abstract A framework was developed to evaluate and compare cleaning systems and cleaning system delivery methods, collectively referred to as varnish removal methods, within art conservation practice. This framework was applied to two water-based cle
Externí odkaz:
https://doaj.org/article/8da3aac241e54a52aef61dc8b3a00cfe
Autor:
Morana Novak, Bronwyn Ormsby
Publikováno v:
Polymers, Vol 15, Iss 22, p 4348 (2023)
Since their development in the 1950s, poly(vinyl acetate) [PVAc] paints (also known as vinyl) have been used by many artists, most notably in countries such as Spain, Portugal, and the United Kingdom; they are also used globally as a common binder fo
Externí odkaz:
https://doaj.org/article/4799641b1d064d1e8ea30081bdbf581b
Autor:
Lena Porsmo Stoveland, Tine Frøysaker, Maartje Stols-Witlox, Terje Grøntoft, Calin Constantin Steindal, Odile Madden, Bronwyn Ormsby
Publikováno v:
Heritage Science, Vol 9, Iss 1, Pp 1-32 (2021)
Abstract Low-risk removal of embedded surface soiling on delicate heritage objects can require novel alternatives to traditional cleaning systems. Edvard Munch’s monumental Aula paintings (1911–16) have a long history of exposure to atmospheric p
Externí odkaz:
https://doaj.org/article/0089b81284b146dd8e71ceaee3b8ec5b
Publikováno v:
Heritage Science, Vol 9, Iss 1, Pp 1-17 (2021)
Abstract The effect of relative humidity (RH) and light on the development of epsomite (MgSO4·7H2O) in Winsor & Newton cadmium yellow (CY) and French ultramarine (FU) artists’ oil colour paints was investigated. Tube paint samples were aged for 12
Externí odkaz:
https://doaj.org/article/d3e549c8480e48e686b2cc2bc489b3da
Autor:
Francesca Nardelli, Francesca Martini, Judith Lee, Anna Lluvears-Tenorio, Jacopo La Nasa, Celia Duce, Bronwyn Ormsby, Marco Geppi, Ilaria Bonaduce
Publikováno v:
Scientific Reports, Vol 11, Iss 1, Pp 1-13 (2021)
Abstract A molecular-level understanding of the structure of the polymeric network formed upon the curing of air-drying artists’ oil paints still represents a challenge. In this study we used a set of analytical methodologies classically employed f
Externí odkaz:
https://doaj.org/article/ed10ffd9b8d648ab90370137e4650d5b
Autor:
Ashley Amanda Freeman, Judith Lee, Cecil Krarup Andersen, Naoki Fujisawa, Michał Łukomski, Bronwyn Ormsby
Publikováno v:
Heritage Science, Vol 9, Iss 1, Pp 1-11 (2021)
Abstract Nanoindentation and dynamic mechanical analysis were used to measure changes in the surface and bulk mechanical properties of Winsor & Newton Yellow Ochre oil paint films following exposure to deionized water, aliphatic mineral spirits (Shel
Externí odkaz:
https://doaj.org/article/7b2038734e4c4dc7adfa23fa085cbf88
Publikováno v:
Heritage Science, Vol 8, Iss 1, Pp 1-23 (2020)
Abstract The science of oil paint cleaning is an interdisciplinary and challenging field of study due to the complex nature of both paintings and cleaning materials. The topic requires an intimate and iterative collaboration between conservation scie
Externí odkaz:
https://doaj.org/article/f8601dbb605c45b1b1839363b38fee05
Autor:
Angelica Bartoletti, Rachel Barker, David Chelazzi, Nicole Bonelli, Piero Baglioni, Judith Lee, Lora V. Angelova, Bronwyn Ormsby
Publikováno v:
Heritage Science, Vol 8, Iss 1, Pp 1-30 (2020)
Abstract Roy Lichtenstein’s Whaam! (1963) is an iconic artwork in Tate’s collection (T00897). Over the past 50 years, the painting has been on almost continuous display and had accrued a layer of deposited soiling, which resulted in the dampening
Externí odkaz:
https://doaj.org/article/27f9200c52c049e9a65cef4b2373fc63
Autor:
Judith Lee, Libby Ireland, Joyce H. Townsend, Bronwyn Ormsby, Angelica Bartoletti, Deborah Cane, Simoní Da Ros, Rose King, Isabella del Gaudio, Katherine Curran
Publikováno v:
Polymers, Vol 15, Iss 1, p 34 (2022)
Systematic condition and analytical surveys were carried out on Zoe Leonard’s (b. 1961) Mouth Open, Teeth Showing 2000, an installation artwork in Tate’s collection consisting of 162 children’s dolls. The dolls were manufactured at various poin
Externí odkaz:
https://doaj.org/article/f2cfec6839eb47c19223f6501c185e99