Zobrazeno 1 - 10
of 49
pro vyhledávání: '"Branko Mitrović"'
Autor:
Branko Mitrović
Publikováno v:
Journal of Art Historiography, Vol 27, Pp 27-BM1 (2022)
Sam Rose’s book analyses techniques that art historians and art critics use when they write about artworks. These techniques concentrate on five ‘features’ of art-theoretical analysis: authors, contexts, reception, complexity and depth. The ana
Externí odkaz:
https://doaj.org/article/782c685d20294871bfa0f2d8487f20cd
Autor:
Branko Mitrović
Publikováno v:
Journal of Art Historiography, Vol 15, Pp 15-BM2 (2016)
In his paper ‘The History of Art as a Humanistic Discipline’ Erwin Panofsky postulated the free will and rationality of historical subjects as the basis of the rejection of collectivist (holist) approaches to history writing. The rejection of ‘
Externí odkaz:
https://doaj.org/article/f674c9a7d7004381887ad6b712132afa
Autor:
Branko Mitrović
Publikováno v:
Journal of Art Historiography, Vol 15, Pp 15-BM1 (2016)
Jouni-Matti Kuukkanen’s book Postnarrativist philosophy of historiography presents a new variation of the postmodernist, social-constructivist and anti-realist philosophy of historiography. Kuukkanen articulates a position that significantly differ
Externí odkaz:
https://doaj.org/article/671a2a2fb3f94ecd9bbd00f0bbb444e7
Autor:
Branko Mitrović
Publikováno v:
Journal of Art Historiography, Vol 14, Pp 14-BM1 (2016)
This paper lays out the rationale of the special issue of the journal of art historiography devoted to the history of architecturakl historiography.
Externí odkaz:
https://doaj.org/article/5441a88ce8a540339b011ed41b22e8d7
Autor:
Branko Mitrović
Publikováno v:
Journal of Art Historiography, Vol 11, Pp 11-BM1 (2014)
Jan Bakoš’s recent book Discourses and strategies: the role of the Vienna School in shaping central European approaches to art history ‡ related discourses presents a comprehensive picture of the Vienna School of art history from its inception
Externí odkaz:
https://doaj.org/article/2d41593bb298434399581044a39748d7
Autor:
Branko Mitrović
Publikováno v:
Journal of Art Historiography, Vol 9, Pp 9-BM2 (2013)
Until recently, art history has been dominated by anti-realist and social-constructivist ideologies—arguably, in a more radical form than this has been the case in other fields of the humanities. Ian Verstegen’s book A Realist theory of Art Histo
Externí odkaz:
https://doaj.org/article/c1bf560525ae4c2aaa5e3284e89c4c57
Autor:
Branko Mitrović
Publikováno v:
Journal of Art Historiography, Vol 9, Pp 9-BM1 (2013)
The view that human intellectual life and values are predetermined by one’s membership of a collective such as culture, ethnicity, class or linguistic community has been the core of the Romantic intellectual tradition from German eighteenth-century
Externí odkaz:
https://doaj.org/article/0ef645b8603844de94a68353daa100cb
Autor:
Branko Mitrović
Publikováno v:
Journal of Art Historiography, Vol 3, Pp 3-BM/2 (2010)
That ‘there is no innocent eye’ is one of the central propositions of Gombrich's Art and Illusion and a mantra that has played an immense role in art-historical and aesthetic scholarship for the past fifty years. It is also commonly thought to st
Externí odkaz:
https://doaj.org/article/4e13adf4d3b34ca68c12559201fdc641
Autor:
Branko Mitrović
Publikováno v:
Journal of Art Historiography, Vol 1, Pp 1-BM/1 (2009)
The holist view is that the creativity of an author is the manifestation of the creativity of the group he or she belongs to; the individualist view is that the creativity of the group is merely the sum of the creativities of the individuals who cons
Externí odkaz:
https://doaj.org/article/63a08a93c07346b09c2523ec69b10765
Autor:
Branko Mitrović
In Rage and Denials, philosopher and architectural historian Branko Mitrović examines in detail the historiography of art and architecture in the twentieth century, with a focus on the debate between the understanding of society as a set of individu
