Zobrazeno 1 - 10
of 36
pro vyhledávání: '"Branislav Jakovljević"'
Autor:
Branislav Jakovljević
Publikováno v:
Amfiteater, Vol 11, Iss 1, Pp 36-52 (2023)
While the emergence of new forms of performance writing in the 1960s and 1970s did not eliminate traditional forms of drama, they radically transformed the role of textuality in the theatre. This article argues that when liberated from the rules of d
Externí odkaz:
https://doaj.org/article/1e424ecbc6754052b9cf7fa5c014169f
Autor:
Branislav Jakovljević
Publikováno v:
Amfiteater, Vol 11, Iss 1, Pp 18-34 (2023)
Pojav novih oblik uprizoritvenih pisav v šestdesetih in sedemdesetih letih prejšnjega stoletja sicer ni odpravil tradicionalnih dramskih oblik, je pa korenito spremenil vlogo besedilnosti v gledališču. V članku zagovarjamo tezo, da je uprizoritv
Externí odkaz:
https://doaj.org/article/5e1a3d190d3c4629bddf367793bfd88f
Autor:
Branislav Jakovljević
Publikováno v:
Amfiteater, Vol 11, Iss 1 (2023)
While the emergence of new forms of performance writing in the 1960s and 1970s did not eliminate traditional forms of drama, they radically transformed the role of textuality in the theatre. This article argues that when liberated from the rules of d
Externí odkaz:
https://doaj.org/article/960cfbca800a437f98be9a0023c46501
Autor:
Branislav Jakovljevic
In the 1970s, Yugoslavia emerged as a dynamic environment for conceptual and performance art. At the same time, it pursued its own form of political economy of socialist self-management. Alienation Effects argues that a deep relationship existed betw
Autor:
Branislav Jakovljević
Publikováno v:
ARTMargins. 11:126-151
Within the span of only four years, two books on the same subject and with almost identical titles were published on two sides of Europe: Hans Prinzhorn's Artistry of the Mentally Ill (Berlin, 1922) and Pavel Ivanovich Karpov's Creativity of the Ment
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a9898b01f423774f1827f15d35ff3181
https://doi.org/10.1162/artm_a_00308
https://doi.org/10.1162/artm_a_00308
Autor:
Branislav Jakovljević
Publikováno v:
Serbian Studies: Journal of the North American Society for Serbian Studies. 33:3-7
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1fc9924e13f5651445211f2381d601b8
https://doi.org/10.1353/ser.2022.0006
https://doi.org/10.1353/ser.2022.0006
Autor:
Branislav Jakovljević
Publikováno v:
Serbian Studies: Journal of the North American Society for Serbian Studies. 33:55-76
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4c77cae276cc601690ea75bf16c20999
https://doi.org/10.1353/ser.2022.0007
https://doi.org/10.1353/ser.2022.0007
Autor:
Branislav Jakovljević, Diana Looser
Publikováno v:
TDR: The Drama Review. 65:6-10
How can performance help us to think about the problem of climate change and its integral relationships to social and political frameworks? What directions do societies and arts need to take in order to forge different futures? Reflections on the pro
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c6fec16e6a7ab8eb7f3a97d4710d717b
https://doi.org/10.1017/s1054204321000496
https://doi.org/10.1017/s1054204321000496
Autor:
Branislav Jakovljević
Publikováno v:
TDR: The Drama Review. 65:179-181
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::de9b60362b6b38a4c0572c2fc57eace3
https://doi.org/10.1017/s1054204321000629
https://doi.org/10.1017/s1054204321000629
Autor:
Branislav Jakovljević
Publikováno v:
Maska. 35:48-57
In Yugoslavia, the social ownership of property was the driving force of self-management. At the same time, it was supposed to become the promoter of the free association of workers. Using the institution of ‘free artist’ as its focal point, this
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f6a7a88d2fe6445049b80023a1b26ba8
https://doi.org/10.1386/maska_00042_1
https://doi.org/10.1386/maska_00042_1