Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Bralović, Miloš"'
Autor:
Bralović, Miloš
Publikováno v:
INSAM Journal of Contemporary Music, Art and Technology. (9):123-135
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1087753
Autor:
Bralović Miloš, Medić Ivana
Publikováno v:
Muzikologija, Vol 2021, Iss 31, Pp 59-94 (2021)
In this article we discuss the critical reception of the work of composer Stanojlo Rajičić (1910-2000), whose presence in the public musical life of Belgrade was noted already in the 1920s, when he was a student at the “Stanković” Music Sch
Externí odkaz:
https://doaj.org/article/17d16b96fc214095b1f7e4d9942b876e
Autor:
Bralović, Miloš
Publikováno v:
INSAM Journal of Contemporary Music, Art and Technology. (5):143-145
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=932875
Autor:
Bralović, Miloš
Publikováno v:
INSAM Journal of Contemporary Music, Art and Technology. (1):104-107
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=774887
Autor:
Bralović, Miloš
Publikováno v:
AM Časopis za studije umetnosti i medija / AM Journal of Art and Media Studies. (16):1-10
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=701358
Autor:
Radovanović, Bojana, Bralović, Miloš
Publikováno v:
Arts (2076-0752); Oct2023, Vol. 12 Issue 5, p184, 13p
Autor:
Bralović Miloš, Medić Ivana
Publikováno v:
Музикологија
Muzikologija, Vol 2021, Iss 31, Pp 59-94 (2021)
Muzikologija, Vol 2021, Iss 31, Pp 59-94 (2021)
In this article we discuss the critical reception of the work of composer Stanojlo Rajičić (1910–2000), whose presence in the public musical life of Belgrade was noted already in the 1920s, when he was a student at the “Stanković” Music Scho
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3bf8152db2155c48750379c16af491eb
https://doi.org/10.2298/muz2131059b
https://doi.org/10.2298/muz2131059b
Autor:
Bralović, Miloš
Publikováno v:
The "Sigismund Toduță" International Symposium of Musicology, 5th edition. Originality, Paraphrase, Pastiche
Serbian composer Stanojlo Rajičić (1910–2000) has changed various compositional styles throughout his life. Starting as an expressionist composer before the World War II, turning towards neoclassicism during the occupation of Yugoslavia, socialis
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=daisdigitala::e95e7bb5a74e71b4d02f8a7f203248be
http://dais.sanu.ac.rs/bitstream/id/51802/MB_Abstract_Cluj.pdf
http://dais.sanu.ac.rs/bitstream/id/51802/MB_Abstract_Cluj.pdf
Autor:
Bralović, Miloš
Publikováno v:
13. međunarodni simpozij "Muzika u društvu" / 13th International Symposium "Music in Society"
Ukoliko posmatramo muzičko stvaralaštvo u kontekstu u kojem ono nastaje, neretko se dotičemo i pitanja komponovanja u vreme krize. Stoga, pažnju ćemo posvetiti dvema studijama slučaja. Reč je o stvaralačkim delatnostima koje su se odvijale u
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=daisdigitala::622e3556a4fb0d691a19a390219cf957
https://dais.sanu.ac.rs/123456789/13466
https://dais.sanu.ac.rs/123456789/13466
Autor:
Bralović, Miloš
Publikováno v:
Shaping the Present by the Future. Musicology, Ethnomusicology and Contemporaneity
The basic idea of this paper is to demonstrate the different ways in which a composer may use the techniques of simulation or stylistic allusion, not to resemble a certain composer or style, but to perfect their own compositional techniques and devel
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=daisdigitala::653b015119dee1dc2670bb6a9b80b24c
https://dais.sanu.ac.rs/123456789/12004
https://dais.sanu.ac.rs/123456789/12004