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pro vyhledávání: '"Bonnie Honig"'
Autor:
Bonnie Honig
A biting, funny, up-to-the-minute collection of essays by a major political thinker that gets to the heart of what feminist criticism can do in the face of everyday politics.Stormy Daniels offered a #metoo moment, and Anderson Cooper missed it. Conse
Autor:
Bonnie Honig
In the contemporary world of neoliberalism, efficiency is treated as the vehicle of political and economic health. State bureaucracy, but not corporate bureaucracy, is seen as inefficient, and privatization is seen as a magic cure for social ills. In
Autor:
Bonnie Honig
Sophocles'Antigone is a touchstone in democratic, feminist and legal theory, and possibly the most commented upon play in the history of philosophy and political theory. Bonnie Honig's rereading of it therefore involves intervening in a host of liter
Autor:
Bonnie Honig
A more democratic response to political emergenciesThis book intervenes in contemporary debates about the threat posed to democratic life by political emergencies. Must emergency necessarily enhance and centralize top-down forms of sovereignty? Those
Autor:
Bonnie Honig
Publikováno v:
Philosophy & Social Criticism. 49:243-254
How can truth be used to fight disinformation without reproducing the “reveal”—oriented or secret-constituting epistemology of the closet, as Eve Sedgwick described it in the Epistemology of the Closet (1990)? and how does her reading of the Bo
Autor:
Bonnie Honig
Publikováno v:
Classical Antiquity. 41:34-49
Autor:
Bonnie Honig
Publikováno v:
Political Theology. 24:232-242
Autor:
Bonnie Honig
Publikováno v:
The Journal of Speculative Philosophy. 36:105-130
In Frank Capra’s Mr. Deeds Goes to Town (1936), Stanley Cavell says, the film camera, a “somatogram,” reads fits and fidgets as a post-Cartesian cogito of embodied thinking. Giorgio Agamben sees the cameras of motion studies at Salpêtrière in
Autor:
Bonnie Honig
Publikováno v:
Raisons politiques. :89-96
Autor:
Bonnie Honig
Publikováno v:
London Review of International Law.
In Euripides’ Bacchae, the 2015 film The Fits, and John Rawls’ A Theory of Justice (1971), refusal is depicted as worryingly contagious and efforts are made to contain it. But each represents a different model of contagion. In the Bacchae, refusa