Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Bolivian cinema"'
Autor:
Miguel L. Rojas-Sotelo
Publikováno v:
Humanities, Vol 11, Iss 2, p 45 (2022)
The past is certain, the future an illusion. Contemporary films such as Ivy Maraey: land without evil (Juan Carlos Valdivia 2013), Embrace of the Serpent (Ciro Guerra 2015), The Fever (Maya Da Rin 2020), and Bacurau are border films, from the genre o
Externí odkaz:
https://doaj.org/article/fbb57a9ed821444788c9f971caebbfe4
Autor:
Valeria Canelas
Publikováno v:
Iberoamericana. América Latina - España - Portugal, Vol 18, Iss 67, Pp 63-83 (2018)
Nowadays, Bolivian cinema is living a period of great activity in a unstable identitarian landscape, wherein negotiations and conflicts between the different national subjectivities are no longer able to be represented within antagonistic patterns pr
Externí odkaz:
https://doaj.org/article/61f13817c0da4d1394f9d4f87c3e6271
Autor:
Mattiace, Shannan
Publikováno v:
Film Criticism. Winter2005/2006, Vol. 30 Issue 2, p67-72. 6p.
Autor:
Isabel Seguí
Publikováno v:
Segui, I 2021, ' Beatriz Palacios : Ukamau’s Cornerstone (1974–2003) ', Latin American Perspectives, vol. 48, no. 2, pp. 77-92 . https://doi.org/10.1177/0094582X20988693
Beatriz Palacios’s instrumental role in the Ukamau group has been largely ignored by film historiography and criticism. The authorial persona of her comrade and husband, Jorge Sanjinés, has eclipsed Palacios’s work and ideas. Her erasure is due
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6354561b979222f852c236adcb857955
https://doi.org/10.1177/0094582x20988693
https://doi.org/10.1177/0094582x20988693
Autor:
Fabián Núñez
Publikováno v:
Significação: Revista de Cultura Audiovisual, Vol 47, Iss 53 (2020)
Significação: Journal of Audiovisual Culture; Vol. 47 No. 53 (2020): Cinema brasileiro contemporâneo: política, estética e invenção (I); 323-329
Significação: Revista de Cultura Audiovisual; v. 47 n. 53 (2020): Cinema brasileiro contemporâneo: política, estética e invenção; 323-329
Significação
Universidade de São Paulo (USP)
instacron:USP
Significação: Journal of Audiovisual Culture; Vol. 47 No. 53 (2020): Cinema brasileiro contemporâneo: política, estética e invenção (I); 323-329
Significação: Revista de Cultura Audiovisual; v. 47 n. 53 (2020): Cinema brasileiro contemporâneo: política, estética e invenção; 323-329
Significação
Universidade de São Paulo (USP)
instacron:USP
El libro Teoría y práctica de un cine junto al pueblo de Jorge Sanjinés y Grupo Ukamau es publicado en Brasil, casi cuarenta años después de su edición original en México. Se trata de una colección de textos que pretende presentar el desarrol
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::808d9ae7265defa37ce76f7c65c1c709
https://www.revistas.usp.br/significacao/article/view/157678
https://www.revistas.usp.br/significacao/article/view/157678
Autor:
Seguí, Isabel
This thesis examines the work of three women, active in the production of oppositional cinema in the Andes in the last third of the 20th century: Beatriz Palacios, María Barea and Domitila Chungara. A focus on women’s contributions is crucial for
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4c5aebb668c3d5241d24f69c9c2ecf90
Autor:
Smale, Robert L.
Publikováno v:
Bulletin of Latin American Research. Oct2000, Vol. 19 Issue 4, p579. 3p.
Akademický článek
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Akademický článek
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Autor:
Pablo Virguetti
Publikováno v:
Les Cahiers ALHIM, Vol 46
In this work I expose an analysis of the different discourses and imaginaries of masculinity that appear in Bolivian contemporary cinema. Specially, my study focuses in two films, Rodrigo Bellot’s Dependencia sexual and Juan Carlos Valdivia’s Zon
Externí odkaz:
https://doaj.org/article/adf2515e23d345e9b4ff1456a0e2ed8a