Zobrazeno 1 - 10
of 262
pro vyhledávání: '"Boiardo"'
Autor:
Angelo Chiarelli
Publikováno v:
AOQU, Vol 4, Iss 1 (2023)
Il contributo indaga l’evoluzione del personaggio boiardesco (e ariostesco) di Marfisa in alcuni poemi composti tra l’uscita del terzo Furioso e la seconda metà del XVI secolo. Partendo dalla Marfisa Bizarra di Dragoncino da Fano, in cui sono de
Externí odkaz:
https://doaj.org/article/ce3d401196e048988d4c7f2a1004c6fb
Autor:
Gabriele Baldassari
Publikováno v:
AOQU, Vol 4, Iss 1 (2023)
Il contributo si concentra sulle due ecfrasi dinastiche nel poema di Boiardo (II XXV e XXVII), mettendo in rilievo alcuni aspetti del modo in cui sono costruite, con l’intento di comprendere meglio la loro funzione, la loro possibile collocazione c
Externí odkaz:
https://doaj.org/article/893200ff2dae460289c11ab4024e601f
Publikováno v:
AOQU, Vol 4, Iss 1 (2023)
La riscrittura in forma di graphic novel dell’Orlando innamorato, iniziata nel 2021 su impulso del Centro Studi Matteo Maria Boiardo, raccoglie la sfida di avvicinare al poema un pubblico – quello dei giovani degli anni Duemilaventi – non avvez
Externí odkaz:
https://doaj.org/article/6cf173b24a434ad2a35020eefc0037f3
Publikováno v:
Parole Rubate, Vol 12, Iss 23, Pp 3-9 (2021)
Introduction
Externí odkaz:
https://doaj.org/article/6166cea41ad54abea9412ad2e31a7f41
Autor:
Charles S. Ross
Publikováno v:
Parole Rubate, Vol 12, Iss 23, Pp 11-25 (2021)
Although Giovan Battista Giraldi Cinthio praised Boiardo for his invention, few Renaissance discussions of what was referred to as the ‘marvelous’ refer to Boiardo. Nonetheless, three categories of the marvelous can be found: Renaissance critics
Externí odkaz:
https://doaj.org/article/cdbf99dca4304f88812f29b18440f0e7
Autor:
Tiziano Zanato
Publikováno v:
Parole Rubate, Vol 12, Iss 23, Pp 27-53 (2021)
This essay explores Boiardo’s different modes of quotations in his love poetry. Not only does he cite from classical Latin or Italian texts, but he also takes his quotations from the Occitanic or the ancient French traditions. Indeed, in his poems
Externí odkaz:
https://doaj.org/article/08cf8039817f40358485babc3f6596c2
Autor:
Andrea Rizzi
Publikováno v:
Parole Rubate, Vol 12, Iss 23, Pp 55-71 (2021)
This article considers Matteo Maria Boiardo’s contribution to the vernacular appropriation and transmission of William of Tyre’s late twelfth-century Chronicon in Renaissance Italy. It takes a necessarily long view of the source for Boiardo’s d
Externí odkaz:
https://doaj.org/article/beec4d064e0c4544ae61cc19d5cf3417
Autor:
Eugenio Refini
Publikováno v:
Parole Rubate, Vol 12, Iss 23, Pp 73-95 (2021)
This essay explores the musical reception of Matteo Maria Boiardo’s lyric poetry with a focus on the early decades of the 20th century. Special attention is given to the modernist frame within which Boiardo’s poetry was set to music by composers
Externí odkaz:
https://doaj.org/article/947de510b6f04590b2d6a9b46bdd0588
Autor:
Tylar Ann Colleluori
Publikováno v:
Parole Rubate, Vol 12, Iss 23, Pp 117-133 (2021)
This article investigates specific textual evidence of Boiardan influence in Moderata Fonte’s I tredici canti del Floridoro (1531). The first part of the article focuses on Fonte’s direct allusions to the Innamorato during the moments in which sh
Externí odkaz:
https://doaj.org/article/492ca41d9b8c490cba1154259897b679
Autor:
Federica Caneparo
Publikováno v:
Parole Rubate, Vol 12, Iss 23, Pp 97-116 (2021)
This article investigates the reasons behind the representation of Inamoramento di Orlando in paintings and illustrated books from the sixteenth century onwards. Frescoes and illustrations inspired by Boiardo’s verse quote and amplify well-establis
Externí odkaz:
https://doaj.org/article/4a432928ff2a4a57ad32ad31faadc152