Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Blaž Lukan"'
Autor:
Blaž Lukan
Publikováno v:
Critical Stages, Iss 4 (2011)
Comment, dans un environnement médiatique en transformation, et face à une culture théâtrale offrant tant de choses prétendument « nouvelles », le critique réussit-il à demeurer fidèle à l’époque pure et dure ? En grec, un critique se d
Externí odkaz:
https://doaj.org/article/a8c153b2b1a4489e9ac934fffdee49fc
Autor:
Blaž Lukan
Publikováno v:
Maska. 37:17-21
This article roams inside a territory of fragmented perspective(s); the author’s writing isn’t focused on dance with the aim to produce meanings based on some established totality, instead, uniqueness generates meanings unto itself, every single
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::34b7edfead6ed6489a1d4424f4ace21d
https://doi.org/10.1386/maska_00126_1
https://doi.org/10.1386/maska_00126_1
Autor:
Blaž Lukan
Publikováno v:
Maska. 36:34-46
The present contribution looks at possible performative practices during the time of the SARS-CoV-2 (COVID-19) pandemic, which stigmatizes both physical bodies and the social body, with the greatest threat to the physical body represented by the viol
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::20299d66bec48c970316ace2651b04bd
https://doi.org/10.1386/maska_00086_1
https://doi.org/10.1386/maska_00086_1
Autor:
Blaž Lukan
Publikováno v:
Maska. 35:11-15
The author seeks his mind thread in the gap between the dance film Vertigo Bird of Sašo Podgoršek and Iztok Kovač from 1997 and Kovač’s own recent premiered performance Vertigo Birds. This leads Lukan to think about the problems of reenactment
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::972867efae28c93b27d08a608087d439
https://doi.org/10.1386/maska_00003_1
https://doi.org/10.1386/maska_00003_1
Autor:
Blaž Lukan
Publikováno v:
Third Text. 33:789-801
This article is an attempt to define a new paradigm of body use in the medical performances of the Slovenian body artist Ive Tabar. By profession Tabar is a medical technician. Between 1999 and 200...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5bbbb4a58b850889794b730d11b34003
https://doi.org/10.1080/09528822.2019.1667631
https://doi.org/10.1080/09528822.2019.1667631
Autor:
Octavian Saiu, Blaž Lukan, Edīte Tišheizere, Kamila Černá, Marvin Carlson, Rasa Vasinauskaitė, Katarzyna Kręglewska, Kalina Stefanova, Michal Zahálka, Dmitry Trubotchkin, Kim Cuculić, Tomasz Wiśniewski, Artur Duda
Publikováno v:
20 Ground-Breaking Directors of Eastern Europe ISBN: 9783030529345
This is the second chapter where the directors included in the book themselves take the floor. They try to define the issues that contemporary theatre faces today, especially in its relationship with the new off-stage realities. They also dwell on ho
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::580629812ab9e0ffd2ebd137502d7d9f
https://doi.org/10.1007/978-3-030-52935-2_22
https://doi.org/10.1007/978-3-030-52935-2_22
Autor:
Blaž Lukan
Publikováno v:
20 Ground-Breaking Directors of Eastern Europe ISBN: 9783030529345
The chapter presents the theatre of Jernej Lorenci, who belongs to a generation of directors known in Slovenian theatre as “the fourth generation.” Lorenci himself was the 2017 recipient of the prestigious Europe Theatre Prize for (New) Theatrica
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::49ede3bfad02bbe310ed5660d0ee1ee5
https://doi.org/10.1007/978-3-030-52935-2_8
https://doi.org/10.1007/978-3-030-52935-2_8
Autor:
Blaž Lukan, Edīte Tišheizere, Michal Zahálka, Kalina Stefanova, Kim Cuculić, Artur Duda, Octavian Saiu, Tomasz Wiśniewski, Marvin Carlson, Rasa Vasinauskaitė, Katarzyna Kręglewska, Kamila Černá, Dmitry Trubotchkin
Publikováno v:
20 Ground-Breaking Directors of Eastern Europe ISBN: 9783030529345
In this chapter, the directors included in the book themselves take the floor. They reveal the major influences they have experienced as artists and, if they had to draw an artistic family tree, whom they would include on it. One of them, Krystian Lu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7357d916f36b9f328352b25523b4a5a9
https://doi.org/10.1007/978-3-030-52935-2_21
https://doi.org/10.1007/978-3-030-52935-2_21
Autor:
Blaž Lukan
Publikováno v:
Kazalište : časopis za kazališnu umjetnost
Volume XXI
Issue 73/74
Volume XXI
Issue 73/74
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______951::31b5c5c43216d59a6cb633f81e13e605
https://hrcak.srce.hr/202790
https://hrcak.srce.hr/202790
Autor:
BLAŽ LUKAN
Publikováno v:
Sodobnost (1963)
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3825::a84055aa1456c719ce9a60c526e86d12
http://www.dlib.si/details/URN:NBN:SI:doc-G3IB6SFK
http://www.dlib.si/details/URN:NBN:SI:doc-G3IB6SFK