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Autor: Blaž Lukan

Publikováno v: Maska. 37:17-21

This article roams inside a territory of fragmented perspective(s); the author’s writing isn’t focused on dance with the aim to produce meanings based on some established totality, instead, uniqueness generates meanings unto itself, every single

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::34b7edfead6ed6489a1d4424f4ace21d
https://doi.org/10.1386/maska_00126_1

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Akademický článek

Ive Tabar's Political Body Art Performances.

Autor: Lukan, Blaž (AUTHOR)

Publikováno v: Third Text. Nov2019, Vol. 33 Issue 6, p789-801. 13p. 4 Color Photographs.

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The pandemic as a spectacle

Autor: Blaž Lukan

Publikováno v: Maska. 36:34-46

The present contribution looks at possible performative practices during the time of the SARS-CoV-2 (COVID-19) pandemic, which stigmatizes both physical bodies and the social body, with the greatest threat to the physical body represented by the viol

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::20299d66bec48c970316ace2651b04bd
https://doi.org/10.1386/maska_00086_1

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Birds without vertigo

Autor: Blaž Lukan

Publikováno v: Maska. 35:11-15

The author seeks his mind thread in the gap between the dance film Vertigo Bird of Sašo Podgoršek and Iztok Kovač from 1997 and Kovač’s own recent premiered performance Vertigo Birds. This leads Lukan to think about the problems of reenactment

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::972867efae28c93b27d08a608087d439
https://doi.org/10.1386/maska_00003_1

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