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pro vyhledávání: '"Beyhom, Amine"'
Autor:
Beyhom, Amine
The article is a sequel to two already published articles, “MAT for the VIAMAP” and “The Lost Art of Maqām”, with 4 new video analyses and two explanatory videos. [With this article and analyses, the author] has opened a completely novel way
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::55f36cde3a2b9e96eeb0fac49fd075c5
Autor:
Beyhom, Amine
Publikováno v:
Musurgia, 2004 Jan 01. 11(4), 55-68.
Externí odkaz:
https://www.jstor.org/stable/40591351
Autor:
Beyhom, Amine
Publikováno v:
3rd International Musicological and Psaltic Conference «…ἐν ἐπιγνώσει ὑμνοῦντάς Σε…» (= chanting consciously in praise to Thee) Prerequisites and Skills for Sacred Chanting in Orthodox Worship Τετάρτη 30 Μαΐου – Σάββατο 2 Ἰουνίου 2018 Συνεδριακὸ Κέντρο «Θεσσαλία» – Μελισσιάτικα Βόλου
3rd International Musicological and Psaltic Conference «…ἐν ἐπιγνώσει ὑμνοῦντάς Σε…» (= chanting consciously in praise to Thee) Prerequisites and Skills for Sacred Chanting in Orthodox Worship Τετάρτη 30 Μαΐου – Σάββατο 2 Ἰουνίου 2018 Συνεδριακὸ Κέντρο «Θεσσαλία» – Μελισσιάτικα Βόλου, 2020
3rd International Musicological and Psaltic Conference «…ἐν ἐπιγνώσει ὑμνοῦντάς Σε…» (= chanting consciously in praise to Thee) Prerequisites and Skills for Sacred Chanting in Orthodox Worship Τετάρτη 30 Μαΐου – Σάββατο 2 Ἰουνίου 2018 Συνεδριακὸ Κέντρο «Θεσσαλία» – Μελισσιάτικα Βόλου, 2020
International audience; Psaltiki follows since the late 19 th century a theory of the scale established by the 1881 Musical Committee under the Patriarchate of Constantinople. Tonometric analyses show that praxis and theory barely coincide, and that
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::0620566e4fbc3d2ca3940e93d679cf8a
https://hal.archives-ouvertes.fr/hal-03108184/document
https://hal.archives-ouvertes.fr/hal-03108184/document
Autor:
Beyhom, Amine
Publikováno v:
Series Musicologica Balcanica
Series Musicologica Balcanica, IMS-RASMB, 2020
Series Musicologica Balcanica, IMS-RASMB, 2020
Ancient Greek music theory comprises a large body of speculations which are not necessarily related to how music practice was really carried out at the time. This complex set of theories was reduced by 19th-20th centuries scholars to a ditonic – as
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3daa31bce01b715011ed4a8279efc71d
https://hal.archives-ouvertes.fr/hal-03108186
https://hal.archives-ouvertes.fr/hal-03108186
Autor:
Beyhom, Amine
Publikováno v:
NEMO
NEMO-Online, 2019
NEMO-Online, 2019
International audience
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::1eef894ed34b4cea502254e7c5ab2827
https://hal.archives-ouvertes.fr/hal-03108178/document
https://hal.archives-ouvertes.fr/hal-03108178/document
Excerpt [...] During the same year 2011 of the foundation of our publication, uprisings and revolutions of the ‘Arab Spring’ succeeded one another, starting from the Tunisian Revolution to its Syrian counterpart. The Lebanon where most of the sta
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::329579a182e69eb3fd06549719ee594f
Autor:
Beyhom, Amine
Excerpt [...] This dossier is a complement to the dossier on Hellenistic Orientalism published in 2016 in NEMO-Online, in which I explained the main process of Orientalism in musicology and how it was based on Music theories beginning with Greek Neo-
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::46c6a37799dabbff4a5d1729b933316f
Autor:
Beyhom, Amine
Publikováno v:
La modalité au prisme de la modernité: créativité musicale et cheminements culturels entre apports, hybridations et mutations identitaires: actes du Congrès international de Tunis = al-Maqāmīyah min manẓūr al-ḥadāthah
La modalité au prisme de la modernité: créativité musicale et cheminements culturels entre apports, hybridations et mutations identitaires: actes du Congrès international de Tunis = al-Maqāmīyah min manẓūr al-ḥadāthah, pp.339-372, 2019
La modalité au prisme de la modernité: créativité musicale et cheminements culturels entre apports, hybridations et mutations identitaires: actes du Congrès international de Tunis = al-Maqāmīyah min manẓūr al-ḥadāthah, pp.339-372, 2019
International audience; Dans un dossier recemment publie dans NEMO-Online, j'ai entrepris d'expliquer comment l'hellenisme romantique du xrxe-xxe siecles fut (et est toujours) utilise comme un outil analytique pour promouvoir une perception particuli
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::d56194905f2c81d763bb532dd38b9994
https://hal.archives-ouvertes.fr/hal-03108182
https://hal.archives-ouvertes.fr/hal-03108182
Autor:
Azar Beyhom, Rosy, Beyhom, Amine
Avra Pieridou Skoutella : Small musical worlds in the Mediterranean: ethnicity, globalization and Greek Cypriot children’s musical identities, Ashgate |Farnham, Surrey ; Burlington, VT, 2015|, reviewed by Rosy and Amine Beyhom, Near-Eastern Musicol
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b51811e35108844717894217b7819031
Autor:
Beyhom, Amine
Publikováno v:
NEMO
NEMO-Online, 2018
NEMO-Online, 2018
International audience
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::8daeb6f1c3d17703da06a4f760b83e6c
https://hal.science/hal-02536449
https://hal.science/hal-02536449