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Publikováno v:
Revista VIS: Revista do Programa de Pós-Graduação em Artes Visuais; v. 20 n. 2 (2021): Dossiê: Arte Indígena Contemporânea; 286-313
A set of nine engravings of Tarsila do Amaral, donated to the Museum of Contemporary Art of the University of Sao Paulo in 1998, by the Central Bank of Brazil, raises questions about the circulation and appropriation of her work in Brazil. In this ar