Zobrazeno 1 - 10
of 67
pro vyhledávání: '"Bennett Zon"'
Autor:
Bennett Zon
This engaging book explores the dynamic relationship between evolutionary science and musical culture in Victorian Britain, drawing upon a wealth of popular scientific and musical literature to contextualize evolutionary theories of the Darwinian and
Music and Performance Culture in Nineteenth-Century Britain : Essays in Honour of Nicholas Temperley
Autor:
Bennett Zon
Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts,'Musical Cu
Autor:
Bennett Zon
Publikováno v:
Nineteenth-Century Contexts. 43:509-511
When, in 1834, polymath William Whewell coined the term “scientist” he did so ironically: some ingenious gentleman proposed that, by analogy with artist, they might form scientist, and added that t...
Music in the West Country: Social and Cultural History Across an English Region, by Stephen Banfield
Autor:
Bennett Zon
Publikováno v:
The English Historical Review. 135:1602-1604
Autor:
Bennett Zon
Publikováno v:
Interdisciplinary Science Reviews. 45:35-40
‘All art constantly aspires to the condition of music.’1 Thus begins Walter Pater’s famous quest to locate music at the top of the arts; for ‘while in all other kinds of art it is possible to disti...
Autor:
Bennett Zon
Daniel Chua describes music as “the Mouthpiece of Theology” and criticizes science for bequeathing modern musicology methodologies intrinsically prejudicial toward music theology. Yet by criticizing science Chua throws the scientific baby out wit
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2109337ebfcff863f0b0a7d62f02ea1b
https://doi.org/10.4324/9780429492020-8
https://doi.org/10.4324/9780429492020-8
Autor:
Bennett Zon
Publikováno v:
Watt, Paul & Collins, Sarah & Allis, Michael (Eds.). (2020). The Oxford handbook of music and intellectual culture in the nineteenth century,. Oxford: Oxford University Press
While nineteenth-century science and religion are commonly portrayed as being at war, this chapter uses musical contexts to test an alternative hypothesis: that science and religion were in fact compatible. It does that by tracking Anglo-European ide
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b07525e17f72eaa92e6fcac715a5e37d
http://dro.dur.ac.uk/30394/1/30394.pdf
http://dro.dur.ac.uk/30394/1/30394.pdf
Autor:
Bennett Zon
Publikováno v:
Collins, Sarah (Eds.). Music and Victorian Liberalism. Cambridge: Cambridge University Press, pp. 180-200
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7ff78b9a8b77c616343a72e148246f31
https://doi.org/10.1017/9781108628778.009
https://doi.org/10.1017/9781108628778.009
Autor:
Bennett Zon
This chapter traces the idea of an interdiscipline to Walter Pater’s famous adage ‘All art constantly aspires to the condition of music’. It utilizes Pater’s idea to identify the origin of Victorian musicology not as a discipline, but as an i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b6b84c0e169c144025ebe90d777b0e08
https://doi.org/10.4324/9780429277139-13
https://doi.org/10.4324/9780429277139-13