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pro vyhledávání: '"Benjamin Campion"'
Autor:
Benjamin Campion
Publikováno v:
TV Series, Vol 23 (2024)
Externí odkaz:
https://doaj.org/article/5459ec325aad47a4962c278f6a96034d
Autor:
Benjamin Campion
Publikováno v:
TV Series, Vol 22 (2023)
The relationship between cinema and television series is often conflictual. Considering that they freeze the aesthetic and narrative model of classical cinema, Jacques Aumont stigmatizes the disempowerment of editing attributable to TV series, system
Externí odkaz:
https://doaj.org/article/26a4597922fd4cc8b196b269fcfd229a
Quand le chef-d’œuvre tombe en disgrâce : les séries contemporaines face à la critique du revirement
Autor:
Benjamin Campion
Publikováno v:
Mise au Point, Vol 17 (2023)
A television series is a dynamic object, likely to undergo multiple evolutions between the beginning and the end of its broadcast. Each season, each episode, each scene, even each shot, can shed new light on a series as a whole – and, in the most e
Externí odkaz:
https://doaj.org/article/181a7c1068ec4d8b9fb3d0498fc24459
Autor:
Benjamin Campion
Publikováno v:
TV Series, Vol 2 (2022)
According to Todd Gitlin, 1981 would be the starting point of a new American television era, one free of traditional, frivolous comedies and dramas with no real narrative basis. This article aims to test this assumption by studying the treatment of n
Externí odkaz:
https://doaj.org/article/caf8ba635f3f46e29cb015fd0154da27
Autor:
Benjamin Campion
Publikováno v:
Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 26 (2022)
The X-Files episode “Bad Blood” (5.12) was broadcast on February 22, 1998 on Fox. Written by Vince Gilligan, it tells a voluntarily simplistic vampire story confronting the points of view of its two protagonists, FBI agents Fox Mulder and Dana Sc
Externí odkaz:
https://doaj.org/article/54e6e49131d8436a8097bb8b0a75870f
Autor:
Benjamin Campion
Publikováno v:
TV Series, Vol 15 (2019)
Through its video interface and its rate of diffusion, Netflix ensures TV series fans an “instant” experience, addressing the televisual delay that inherently separates one episode from another. Viewers thus become their own “Chief Content Offi
Externí odkaz:
https://doaj.org/article/651f8690f576425e92497742dd388a47
Autor:
Benjamin Campion
Publikováno v:
TV Series, Vol 14 (2018)
Due to its intensive depiction of full (or partial) frontal nudity and its filiation with a patriarchal genre as codified as the western, one might have expected from HBO’s TV series Westworld (2016-) to embrace its broadcaster’s sultry reputatio
Externí odkaz:
https://doaj.org/article/be123115b7124c65a2c9353904c69078
Autor:
Benjamin Campion
Publikováno v:
Interfaces, Vol 50
Externí odkaz:
https://doaj.org/article/ce2c8e7e99964c4a859523f3ba4bbbc4
Autor:
Benjamin Campion
Publikováno v:
Effeuillage. :50-53
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3da068d61ac7680e8223166393829132
https://doi.org/10.3917/eff.010.0050
https://doi.org/10.3917/eff.010.0050
Autor:
Benjamin Campion
Publikováno v:
Télévision
Télévision, C.N.R.S Editions, 2020, Le spectateur numérique, pp.23-42
HAL
Télévision, C.N.R.S Editions, 2020, Le spectateur numérique, pp.23-42
HAL
International audience; S’il est une maladresse qui peut vous attirer les foudres des sériephiles (à un degré que les purs cinéphiles ne peuvent pas connaître), c’est bien celui de leur dévoiler sans prévenir un spoiler. Dans la cour de r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2f6e0fad8ec480e2f2e60328baba68cf
https://doi.org/10.3917/telev.011.0023
https://doi.org/10.3917/telev.011.0023