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pro vyhledávání: '"Ben-Ami Scharfstein"'
Autor:
Ben-Ami Scharfstein
What if Immanuel Kant floated down from his transcendental heights, straight through Alice's rabbit hole, and into the fabulous world of Lewis Carroll? For Ben-Ami Scharfstein this is a wonderfully instructive scenario and the perfect way to begin th
Autor:
Ben-Ami Scharfstein
In The Dilemma of Context, Scharfstein contends that the problems encountered with context are insoluble. He explains why this problem lays an intellectual burden on us that, while remaining inescapable, can become so heavy it destroys the understand
Autor:
Ben-Ami Scharfstein
This is a study of how and why politics is amoral. It deals especially with what the author terms Machiavellism—the disregard of moral scruples for political ends that leads to the justification and use of deception and force in all aspects of poli
Autor:
Ben-Ami Scharfstein
A Comparative History of World Philosophy presents a personal yet balanced guide through what the author argues to be the three great philosophical traditions: Chinese, European, and Indian. The book breaks through the cultural barriers between these
Autor:
Ben-Ami Scharfstein
Publikováno v:
Social Epistemology. 15:275-283
(2001). How important is truth to epistemology and knowledge? Some answers from comparative philosophy. Social Epistemology: Vol. 15, No. 4, pp. 275-283.
Autor:
Ben-Ami Scharfstein
Publikováno v:
Contributions To Phenomenology ISBN: 9789400715028
Detached as it may appear, philosophers’ thought is influenced by emotions, especially fear of death, especially when it follows the death of parents when they, the children, are still young. Kant’s Critiques, which devalue appearances, are affec
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d5b9d99a0e9418e131eef5f9ab51d255
https://doi.org/10.1007/978-94-007-1503-5_14
https://doi.org/10.1007/978-94-007-1503-5_14
Autor:
Ben-Ami Scharfstein
People all over the world make art and take pleasure in it, and they have done so for millennia. But acknowledging that art is a universal part of human experience leads us to some big questions: Why does it exist? Why do we enjoy it? And how do the