Zobrazeno 1 - 10
of 21
pro vyhledávání: '"Barry Monahan"'
Autor:
Barry Monahan
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 6, Pp 122-125 (2013)
As its title suggests, Debbie Ging’s Men and Masculinities in Irish Cinema sets out to consider a broad historical track of films produced in or about Ireland, by engaging with them through a gender-focussed theoretical lens. Ging promises from the
Externí odkaz:
https://doaj.org/article/5e2a76b1f3b3413c863cc211d7efae74
Autor:
Barry Monahan
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 1, Pp 132-135 (2011)
Despite the picturesque town’s remoteness, the wonderful international spread of countries represented by short films at the Schull festival is perfect testament to the imaginative resourcefulness of its organisers. This year Maurice Seezer, Paulin
Externí odkaz:
https://doaj.org/article/e5343c9bc4e34a5a967284c33ee31f95
Autor:
Barry Monahan
Hands on Film is a comprehensive study of the representations and uses of that human limb from the birth of cinema to contemporary times. It examines how filmmakers have framed the hand for a variety of effects, from stylistic to thematic, and for th
Autor:
Barry Monahan
Hands on Film is a comprehensive study of the representations and uses of that human limb from the birth of cinema to contemporary times. It examines how filmmakers have framed the hand for a variety of effects, from stylistic to thematic, and for th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::82116f55840b3c60a0b66807b2d40bb3
https://doi.org/10.1017/9789048544769
https://doi.org/10.1017/9789048544769
Publikováno v:
New Hibernia Review. 24:37-70
Autor:
Barry Monahan
Publikováno v:
Irish Literature in Transition: 1980–2020
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ae9f58f5eea3613be6878f6d4a676edd
https://doi.org/10.1017/9781108564373.023
https://doi.org/10.1017/9781108564373.023
Autor:
Barry Monahan
Publikováno v:
Rethinking Genre in Contemporary Global Cinema ISBN: 9783319901336
This chapter uses Immanuel Kant’s notion of the Sublime to trace formal developments in the disaster film post-9/11. It considers how several films from that generic group attempt to stimulate and shock audiences who witnessed the mediated events o
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3a342092ee13e5cf9e5da92ef5433481
https://doi.org/10.1007/978-3-319-90134-3_13
https://doi.org/10.1007/978-3-319-90134-3_13
Autor:
Barry Monahan
The Films of Lenny Abrahamson: A Filmmaking of Philosophys of provides a comprehensive study of the films of contemporary, highly critically-appraised Irish director Lenny Abrahamson. As well as considering the aesthetics, cultural reflections and ph
Autor:
Barry Monahan
The volume offers a broad range of academic approaches to contemporary and historical Irish filmmaking and representations of nationality, national identity, and theoretical questions around the construction of Ireland and Irishness on the screen.