Zobrazeno 1 - 10
of 28
pro vyhledávání: '"Barry Freeman"'
Autor:
Barry Freeman
Twenty-first-century media and political discourse sometimes makes'strangers'- refugees, immigrants, minorities - the scapegoats for social and economic disorder. In this heated climate, theatre has the potential to promote greater compassion and emp
Autor:
Kathleen Gallagher, Barry Freeman
Why theatre now? Reflecting on the mix of challenges and opportunities that face theatre in communities that are necessarily becoming global in scope and technologically driven, In Defence of Theatre offers a range of passionate reflections on this i
Publikováno v:
Canadian Theatre Review. 188:5-8
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7c75837579a78a6841a8311acf728c1d
https://doi.org/10.3138/ctr.188.001
https://doi.org/10.3138/ctr.188.001
Publikováno v:
Canadian Theatre Review. 181:51-55
Distinguished Professor Kathleen Gallagher spent years collaborating with Toronto-based playwright Andrew Kushnir on a project exploring the lives of young people in multiple global sites through the lens of drama experiences. In this interview, the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::9a66e45c3da40ec36d521a8922b2fc80
https://doi.org/10.3138/ctr.181.009
https://doi.org/10.3138/ctr.181.009
Autor:
Yasmine Kandil, Barry Freeman
Publikováno v:
Canadian Theatre Review. 181:5-7
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3faacdd4e08d444fb3fa4afde666b46e
https://doi.org/10.3138/ctr.181.001
https://doi.org/10.3138/ctr.181.001
Publikováno v:
Canadian Theatre Review. 180:5-7
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a9465d36e3a1206b25c05c00430f2cf0
https://doi.org/10.3138/ctr.180.001
https://doi.org/10.3138/ctr.180.001
Autor:
Barry Freeman
Publikováno v:
University of Toronto Quarterly. 87:356-358
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b6e5fa52e9b1ff58c6c00a49ab5688bb
https://doi.org/10.3138/utq.87.3.50
https://doi.org/10.3138/utq.87.3.50
Autor:
Barry Freeman, Matt Jones
Publikováno v:
Canadian Theatre Review. 175:5-7
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::54830836e58acd741715f949beeaf4db
https://doi.org/10.3138/ctr.175.001
https://doi.org/10.3138/ctr.175.001
Autor:
Barry Freeman, Michael Wheeler
Publikováno v:
Education and Theatres ISBN: 9783030222215
This chapter focuses on SpiderWebShow, a collaboration between Canada’s National Arts Centre in Ottawa and a Toronto-based theatre company, Praxis Theatre. SpiderWebShow is part blog, part place of theatrical experiment, and part social networking
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bd4babd0c9d342e0aa9d1bcdc09fa74b
https://doi.org/10.1007/978-3-030-22223-9_21
https://doi.org/10.1007/978-3-030-22223-9_21
Autor:
Barry Freeman
Publikováno v:
Canadian Theatre Review. 166:50-53
Artistic Fraud of Newfoundland’s new production, an adaptation of Wayne Johnston’s award-winning 1998 novel The Colony of Unrequited Dreams, revisits the complex legacy of Newfoundland politician Joseph R. Smallwood. Smallwood, the man responsibl
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2224f6a94b046c0d6dd49ef86d22e1d1
https://doi.org/10.3138/ctr.166.009
https://doi.org/10.3138/ctr.166.009