Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Baroin, Gilles"'
Autor:
Baroin, Gilles
A la frontière entre musique et mathématiques, cette étude présente un espace musical géométrique original utilisé pour l'analyse et la pédagogie.En utilisant différentes méthodes, les mathématiciens et théoriciens de la musique ont démo
Externí odkaz:
http://www.theses.fr/2011TOU20120/document
Autor:
Baroin, Gilles, Calvet, André
Publikováno v:
JIM 2020, Journées d'Informatique Musicale
JIM 2020, Journées d'Informatique Musicale, Oct 2020, Strasbourg, France
JIM 2020, Journées d'Informatique Musicale, Oct 2020, Strasbourg, France
International audience; Il est établi qu’un modèle visuel accompagnant un exemple sonore renforce la sensation de l’auditoire, et que la façon dont un piano est accordé influence la restitution d’une oeuvre. Nous avons inventé des outils s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::fe1caf98c5cd678d1f8e4094b5135765
https://hal.archives-ouvertes.fr/hal-02942226/file/BaroinCalvetJIM2020.1.pdf
https://hal.archives-ouvertes.fr/hal-02942226/file/BaroinCalvetJIM2020.1.pdf
Autor:
Amiot, Emmanuel1 manu.amiot@free.fr, Baroin, Gilles2 Gilles@baroin.org
Publikováno v:
Music Theory Online. Sep2015, Vol. 21 Issue 3, p1-9. 9p.
Autor:
Amiot, Emmanuel, Baroin, Gilles
Publikováno v:
Music Theory
Music Theory Online, Society for Music Theory, 2015
Music Theory Online, Society for Music Theory, 2015
International audience; The Model introduced by (Baroin 2011b) is richer than the standard cyclic model (Kremer cycle). Beyond the usual T/I group of symmetries, some extra isometries appeared in actual visualizations of musical pieces. The present d
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::cf6bedc1179b71b73a72d9a70608dc81
https://hal.archives-ouvertes.fr/hal-01215253/file/newSymmetriesModelPlanet2.0.pdf
https://hal.archives-ouvertes.fr/hal-01215253/file/newSymmetriesModelPlanet2.0.pdf
Autor:
Baroin, Gilles, Seress, Hugues
Publikováno v:
Mathematics and Computation in Music
MCM 2015, 5th nternational Conference on Mathematics and Computation in Music
MCM 2015, 5th nternational Conference on Mathematics and Computation in Music, Jun 2015, Londres, United Kingdom. ⟨10.1007/978-3-319-20603-5_32⟩
MCM 2015, 5th nternational Conference on Mathematics and Computation in Music
MCM 2015, 5th nternational Conference on Mathematics and Computation in Music, Jun 2015, Londres, United Kingdom. ⟨10.1007/978-3-319-20603-5_32⟩
International audience; The Polarized Tonnetz developed by Hugues Seress [4] is an innovative two-dimensional representation system for visualizing statically and dynamically some triadic or post-triadic organization, harmonic and tonal paths, as wel
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::2e1c5781f41b1d2ea76091a28a623807
https://hal-enac.archives-ouvertes.fr/hal-01291461
https://hal-enac.archives-ouvertes.fr/hal-01291461
Publikováno v:
Mathematics and Computation in Music. MCM 2015
MCM 2015: International Conference on Mathematics and Computation in Music
MCM 2015: International Conference on Mathematics and Computation in Music, Jun 2015, London, United Kingdom. pp.315-320, ⟨10.1007/978-3-319-20603-5_32⟩
Mathematics and Computation in Music. MCM 2015, 9110, Springer International Publishing, pp.315-320, 2015, Lecture Notes in Computer Science, ⟨10.1007/978-3-319-20603-5_32⟩
MCM 2015: International Conference on Mathematics and Computation in Music
MCM 2015: International Conference on Mathematics and Computation in Music, Jun 2015, London, United Kingdom. pp.315-320, ⟨10.1007/978-3-319-20603-5_32⟩
Mathematics and Computation in Music. MCM 2015, 9110, Springer International Publishing, pp.315-320, 2015, Lecture Notes in Computer Science, ⟨10.1007/978-3-319-20603-5_32⟩
International audience; The Polarized Tonnetz developed by Hugues Seress [4] is an innovative two-dimensional representation system for visualizing statically and dynamically some triadic or post-triadic organization, harmonic and tonal paths, as wel
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::eb0d17af4f47dc1e4cece281243c0b86
https://hal-enac.archives-ouvertes.fr/hal-02025837
https://hal-enac.archives-ouvertes.fr/hal-02025837
Autor:
Baroin, Gilles, de Gérando, Stéphane
Publikováno v:
Les Cahiers de l’Institut International pour l’Innovation, la Création Artistique et la Recherche
Les Cahiers de l’Institut International pour l’Innovation, la Création Artistique et la Recherche, icareditions, 2012
Les Cahiers de l’Institut International pour l’Innovation, la Création Artistique et la Recherche, icareditions, 2012
National audience
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::ac0abf2ac95bebef5e6d3de03cb72d5e
https://hal-enac.archives-ouvertes.fr/hal-02942200
https://hal-enac.archives-ouvertes.fr/hal-02942200
Autor:
Baroin, Gilles
At the frontier between music and mathematics, this study presents an original geometrical musical space used for musical analysis and pedagogy.Using different schemes, mathematicians and music theorists have demonstrated that the tempered twelve ton
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______166::fa4730d71d9814ff9527e15568848f44
https://theses.hal.science/tel-00943407
https://theses.hal.science/tel-00943407
Autor:
Ferré, Louis, Baroin, Gilles
Publikováno v:
8th French Combinatorial Conference
8th French Combinatorial Conference, Jun 2010, Paris, France
8th French Combinatorial Conference, Jun 2010, Paris, France
International audience
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::82a22fde6c68a19ca4841c247693eba7
https://hal-enac.archives-ouvertes.fr/hal-02044001
https://hal-enac.archives-ouvertes.fr/hal-02044001
Autor:
Andreatta, Moreno, Baroin, Gilles
Publikováno v:
Aesthetics & Neuroscience; 2016, p257-269, 13p