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pro vyhledávání: '"Barbara Murovec"'
Autor:
Barbara Murovec
Publikováno v:
Radovi Instituta za Povijest Umjetnosti, Iss 45, Pp 105-118 (2021)
Memorializing his family was a key concept of Ignaz Maria Count Attems’ visual propaganda. The role of personal iconography has been recognised mainly in his secular fresco commissions. This paper focuses on the analysis of the ceiling painting and
Externí odkaz:
https://doaj.org/article/40c6d5899280440c84d875f4482caa0e
Autor:
Barbara Murovec
Publikováno v:
Acta Historiae Artis Slovenica, Vol 23, Iss 1 (2019)
V prispevku sta analizirana družinska portreta Ignaca Marije grofa Attemsa (Ljubljana, 15. avgust 1652 – Graz, 13. december 1732) s sinovi in Marije Regine grofice Wurmbrand, poročene Attems (Graz, 3. junij 1659 – Brežice, 24. april 1715) s h
Externí odkaz:
https://doaj.org/article/960096557fe64e6292585b368efb5d09
Autor:
Barbara Murovec
Publikováno v:
Acta Historiae Artis Slovenica, Vol 23, Iss 2 (2019)
Externí odkaz:
https://doaj.org/article/a431717f25404e27944c68fba082e28f
Autor:
Barbara Murovec
Publikováno v:
Acta historiae artis Slovenica. 23
V prispevku sta analizirana družinska portreta Ignaca Marije grofa Attemsa (Ljubljana, 15. avgust 1652 – Graz, 13. december 1732) s sinovi in Marije Regine grofice Wurmbrand, porocene Attems (Graz, 3. junij 1659 – Brežice, 24. april 1715) s hce
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::63598fdd83a0273b4198fbd0e61b6ac4
https://doi.org/10.3986/ahas.v23i1.7320
https://doi.org/10.3986/ahas.v23i1.7320
Autor:
Barbara Murovec
Publikováno v:
Der Arkadenhof der Universität Wien und die Tradition der Gelehrtenmemoria in Europa
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c764b53956256d6adc559286bbc69a9e
https://doi.org/10.7767/9783205205999.351
https://doi.org/10.7767/9783205205999.351
Autor:
Barbara Murovec
Publikováno v:
Acta Historiae Artium. 49:360-369
The history of the art history in Slovenia, due to its characteristics and specific problems, fits into the Eastern European context. After the international beginnings of the “scientific” art history, resulting from the study of Josip Mantuani (
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::719974c4217530279d759d32d85d1261
https://doi.org/10.1556/ahista.49.2008.1.39
https://doi.org/10.1556/ahista.49.2008.1.39