Zobrazeno 1 - 10
of 32
pro vyhledávání: '"Barbara Lebrun"'
Autor:
Isabelle Marc, Barbara Lebrun
Publikováno v:
Transposition, Vol 12 (2024)
This article analyses the process of social visibilisation and empowerment carried out by French popular music artists and professionals in the first two decades of the twenty first century, as they challenge the cis- and heteropatriarchal gender sys
Externí odkaz:
https://doaj.org/article/3a318042555a4a3093dcf757afd747f0
Autor:
Barbara Lebrun
Publikováno v:
Transposition, Vol 12 (2024)
The French singer-songwriter La Féline, who has been recording music since 2011, discusses her career by evoking her musical influences, her perception of gender biases in the music industry, the tension between mainstream and indie pop, the role pl
Externí odkaz:
https://doaj.org/article/b704bf361794485185261ce7e861b58f
Publikováno v:
Popular Music. 39:393-400
In Paris on 22 June 1963, the French youth magazine Salut les copains celebrated its first year in print by organising a free outdoor concert on the Place de la Nation. The artists headlining the gig were young male and female pop singers who had bee
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ee09acb09b0117635d0d068d85f9e6a6
https://doi.org/10.1017/s0261143020000598
https://doi.org/10.1017/s0261143020000598
Autor:
Barbara Lebrun
Publikováno v:
Popular Music. 40:181-183
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::313bd5409134a4fc482dc0393b44f7e2
https://doi.org/10.1017/s0261143021000246
https://doi.org/10.1017/s0261143021000246
Autor:
Nanette de Jong, Barbara Lebrun
Publikováno v:
Lebrun, B & de Jong, N 2018, ' Introduction: the notion of magic in popular music discourse ', Popular Music, vol. 38, no. 1, pp. 1-7 . https://doi.org/10.1017/S0261143018000740
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::da8c3ca5abf644aff2bf535980ec55d5
https://doi.org/10.1017/s0261143018000740
https://doi.org/10.1017/s0261143018000740
Autor:
Barbara Lebrun
Publikováno v:
Modern & Contemporary France. 22:159-175
This article considers the relevance of the notion of ‘generation’ for the study of cultural shifts in the production and critical reception of singer-songwriters in contemporary France, in the period 2005–12. Defining a ‘generation’ as an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::88a95e6aa7cdac8e0aa1faa4bc72f51c
https://doi.org/10.1080/09639489.2014.886828
https://doi.org/10.1080/09639489.2014.886828
Autor:
Barbara Lebrun
Publikováno v:
Modern & Contemporary France. 23:531-533
This book deconstructs the myth of national identity in the songs and careers of Georges Brassens, Jacques Brel and Leo Ferre, analysing the ways in which these artists, both individually and colle...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::ad58117e0a19eb30bbbbb9b3c02b3164
https://doi.org/10.1080/09639489.2015.1052053
https://doi.org/10.1080/09639489.2015.1052053
Autor:
Barbara Lebrun
Publikováno v:
Journal of European Popular Culture. 4:85-97
In the nineteenth century, as colonial expansion abroad paralleled industrialization at home, West Europeans developed the conception of the foreign Other as ?uncivilized?, a seductive yet simplified object, fit for the gaze of the powerful. In Weste
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7e9de79877cf5c49564bb867683380b0
https://doi.org/10.1386/jepc.4.1.85_1
https://doi.org/10.1386/jepc.4.1.85_1
Autor:
Catherine Strong, Barbara Lebrun
The untimely deaths of Amy Winehouse (2011) and Whitney Houston (2012), and the'resurrection'of Tupac Shakur for a performance at the Coachella music festival in April 2012, have focused the media spotlight on the relationship between popular music,
