Zobrazeno 1 - 10 of 21 pro vyhledávání: '"Barbara Haggh-Huglo"'
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Zsuzsa Czagány (ed.), Antiphonale Varadinense: s. XV, vol. I: Proprium de tempore; vol. II: Proprium de sanctis et commune sanctorum; vol. III: Tanulmányok / Essays, Musicalia Danubiana 26. Budapest: Research Centre for the Humanities, Institute of Musicology, 2019. In Hungarian with English translations by Ervin János Alácsi (I, II, III) and Eszter Gaál (I), and the English texts revised by David Hiley (I, II) and Roman Hankeln (III). 529 + 389 + 339 pp. €60. ISBN 978 615 5167 08 98 (set). - Gabriella Gilányi (ed.), Mosaics of the Plainchant Tradition of Transylvania: Interpreting the 14th-Century Antiphoner Fragments at Güssing, Resonemus pariter: Studies in Medieval Music History 1. Budapest: Research Centre for the Humanities, Institute of Musicology, 2019. In Hungarian and English, with an English translation by Brian McLean, his text revised by Ann Buckley. 218 pp. €18. ISBN 978 615 5167 24 9. - Gábriel Szoliva, OFM, Hymnuale ecclesiae Zagrabiensis: Traditionalism and Innovation in the Early 15th-Century Hymnal of Zagreb Cathedral, Resonemus pariter: Studies in Medieval Music History 2. Budapest: Research Centre for the Humanities, Institute of Musicology, 2019. In Hungarian, English and Croatian, with an English translation by Ádám Balázs Czinege and a Hungarian translation by Andrea Kovács, the translations revised by Ann Buckley, Domonkos Whitehouse, Jurij Snoj and Stanislav Tuksar. 289 pp. €18. ISBN 978 615 5167 25 6
Autor: BARBARA HAGGH-HUGLO
Publikováno v: Plainsong and Medieval Music. 31:176-182
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::43ef77e9a0e61b3fa601f83ea1235be0
https://doi.org/10.1017/s0961137122000134
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10
Christian Meyer (dir.), Collections de Bourgogne et d’Île-de-France : Autun, Auxerre, Avallon, Beaune, Chalon-sur-Saône, Dijon, Mâcon, Melun, Provins, Semur-en-Auxois, Sens
Autor: Barbara Haggh Huglo
Publikováno v: Cahiers de civilisation médiévale. :187-190
L’histoire de la musique medievale s’ecrit principalement sur la base de ces notations musicales qui nous restent dans les bibliotheques et les archives. Mais la plupart des bibliothecaires n’ont pas la connaissance specialisee pour identifier
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::2d48447e086bfaa2cf85aff44382db6e
https://doi.org/10.4000/ccm.6031
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