Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Barbara Di Noi"'
Autor:
Barbara Di Noi
Publikováno v:
Altre Modernità, Vol 0, Iss 0, Pp 110-130 (2019)
The present study aims to show how Benjamin’s concept of an Anthropological Materialism actually joints many sections of the Arcades-Project together; in this work Benjamin wants to show how myth and modern rationality, but also myth and modern ind
Externí odkaz:
https://doaj.org/article/eb41687182d74abb9e86ecd9db75a718
Autor:
Barbara Di Noi
Publikováno v:
Studia theodisca, Vol 24, Iss 0, Pp 123-148 (2017)
This essay reflects on the aesthetic and rhetorical strategies used by Nietzsche and Baudelaire in two poems, which at first glance scarcely show any resemblance. The poems are Baudelaire’s Les Phares and Nietzsche’s Feuerzeichen from the late Di
Externí odkaz:
https://doaj.org/article/e234c88d72a4407e954f5ccef687760b
Autor:
Barbara Di Noi
Publikováno v:
Studia austriaca, Vol 20, Iss 0, Pp 167-190 (2012)
Stauffer-Bern’s biography by Otto Brahm can be regarded as an important source for Titorelli, the painter in Kafka’s novel Der Prozeß. The way in which Kafka used this source recalls the idea of “lethetic Reading”, which Clayton Koelb introd
Externí odkaz:
https://doaj.org/article/d1108f7733d643f18c647ce748faf284
Autor:
Barbara Di Noi
Publikováno v:
Studia theodisca, Vol 18, Iss 0, Pp 129-160 (2011)
The so-called Rönne-complex belongs to Benn’s early prose production and consists of a cycle of short texts held together by the anti-hero Rönne. Although he presents features which might suggest an identification with his author, the main charac
Externí odkaz:
https://doaj.org/article/2507907f1986433481a387923cca9cd5
Autor:
Barbara Di Noi
Publikováno v:
La città e l’inconscio nell’era globale. Germanistica in dialogo multidisciplinare ISBN: 9791280325976
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2aeb9fd604f4084db9c1524eef797711
https://doi.org/10.54103/milanoup.92.98
https://doi.org/10.54103/milanoup.92.98
Autor:
Alberto, Caprioli, Thanh-Vân, Ton-That, Laura, Giurdanella, Barbara Di Noi, Marta, Mancini, Amraoui, Abdelaziz, Bivona, Antonietta, Riccardo, Raimondo, Rosita Tordi Castria, Angela, Fariello, Rizzo, Concettina, Labadessa, Paola, Benzo, Veronica
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4731::ef70b2c5b342f104a32015639268b7d7
http://hdl.handle.net/20.500.11769/538140
http://hdl.handle.net/20.500.11769/538140
Autor:
Alberto, Caprioli, Thanh-Vân, Ton-That, Laura, Giurdanella, Barbara Di Noi, Marta, Mancini, Amraoui, Abdelaziz, Bivona, Antonietta, Riccardo, Raimondo, Rosita Tordi Castria, Angela, Fariello, Rizzo, Concettina, Labadessa, Paola, Benzo, Veronica
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______4731::6d6ef8bcbb9cd8834a73e41a1dd1255b
http://hdl.handle.net/20.500.11769/538099
http://hdl.handle.net/20.500.11769/538099
Autor:
Barbara Di Noi
Publikováno v:
Annali di Ca’ Foscari. Serie occidentale.
In Rilke’s novel Die Aufzeichnungen des Malte Laurids Brigge, the Parisian scene is conceived as a stage; the main character has been considered as the author’s alter ego or Doppelgänger, who is going to face the most alienating and fearful aspe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e1b4b3411ec118ade2f5bf3f01370446
https://doi.org/10.30687/annoc/2499-1562/2021/09/009
https://doi.org/10.30687/annoc/2499-1562/2021/09/009
Autor:
Barbara Di Noi
Publikováno v:
Ethics & Bioethics (in Central Europe), Vol 9, Iss 3-4, Pp 159-167 (2019)
In Kafka’s literary world, several animals emerge; they belong to an odd and enigmatic fauna, on the edge between violence and artistry but also between stillness and music; according to the writer, scripture represents both the fault and the punis
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2427ee51f05b7db5bcc321055c5ec089
https://doaj.org/article/b5119c0238ca4229aae681b7553d98d1
https://doaj.org/article/b5119c0238ca4229aae681b7553d98d1
Autor:
Barbara di Noi
Beschreibung eines Kampfes gilt als Kafkas erster literarischer Versuch, den der Autor nie zur Lebenszeit publizierte: Er beschränkte sich vielmehr, sowohl aus der ersten als aus der zweiten Fassung einige Passagen herauszuschneiden, die er als selb