Zobrazeno 1 - 10
of 23
pro vyhledávání: '"B. V. Olguín"'
Autor:
Maggie Rivas-Rodríguez, B. V. Olguín
The first book-length study of Latina/o experiences in World War II over a wide spectrum of identities and ancestries—from Cuban American, Spanish American, and Mexican American segments to the under-studied Afro-Latino experience—Latina/os and W
Autor:
B V Olguín
Publikováno v:
American Literary History. 35:1009-1012
Autor:
B. V. Olguín
Publikováno v:
Violentologies
Chapter 2 is devoted to the WWII-Soldado Razo archetype that anchors Latina/o civic and cultural citizenship models, transnational mestizaje and hybridity paradigms, and hypermasculinist warrior hero discourses. Through a reassessment of familiar, as
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5509ccaa7a93e7647d5731f6ad327d48
https://doi.org/10.1093/oso/9780198863090.003.0003
https://doi.org/10.1093/oso/9780198863090.003.0003
Autor:
B. V. Olguín
Publikováno v:
Violentologies
The introduction uses the 2005 memoir of a Mexican American volunteer in the French Foreign Legion, along with accounts of other Latina/o soldiers who fought in France during WWI and WWII, to illustrate the inadequacy of extant paradigms and hermeneu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3a68b9d50aaf2337559ff0375438da52
https://doi.org/10.1093/oso/9780198863090.003.0001
https://doi.org/10.1093/oso/9780198863090.003.0001
Autor:
B. V. Olguín
Publikováno v:
Violentologies
Chapter 1 examines Latina/o encounters with and reclamations of indigeneity from the eighteenth century to the present. Deploying violentologies as a heuristic device and hermeneutic prism, it focuses on established and emergent Latina/o autobiograph
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2a2e1ff75107fafa20d39769b097d8cd
https://doi.org/10.1093/oso/9780198863090.003.0002
https://doi.org/10.1093/oso/9780198863090.003.0002
Autor:
B. V. Olguín
Publikováno v:
Violentologies
The conclusion assesses the 2015 Broadway hit Hamilton: An American Musical by mixed-heritage (Puerto Rican, Mexican, black, and white) Lin-Manuel Miranda, which emerges as the quintessential violentological text and supra-Latina/o chronotope. This s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bb6cbfebbb4edd69497efb19d72fb103
https://doi.org/10.1093/oso/9780198863090.003.0007
https://doi.org/10.1093/oso/9780198863090.003.0007
Autor:
B. V. Olguín
Publikováno v:
Violentologies
Chapter 3 commences the recovery of an expansive plurality of globalized supra-Latinidades by exploring Latina/o-Asian wartime encounters in life-writing genres, wartime cinema, and performative popular culture such as spoken word and Hip Hop from WW
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::41c52fda008914aae3f941efeaf3c0e5
https://doi.org/10.1093/oso/9780198863090.003.0004
https://doi.org/10.1093/oso/9780198863090.003.0004
Autor:
B. V. Olguín
Violentologies: Violence, Identity, and Ideology in Latina/o Literature explores how various forms of violence undergird a wide range of Latina/o subjectivities, or Latinidades, from 1835 to the present. Drawing upon the Colombian interdisciplinary f
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7e7f7e6c3a9fdda7ef68062a5e1361d2
https://doi.org/10.1093/oso/9780198863090.001.0001
https://doi.org/10.1093/oso/9780198863090.001.0001
Autor:
B. V. Olguín
Violentologies: Violence, Identity, and Ideology in Latina/o Literature, explores how various forms of violence undergird a wide range of Latina/o subjectivities, or Latinidades, from 1835 to the present. Drawing upon the Colombian interdisciplinary