Zobrazeno 1 - 10 of 12 pro vyhledávání: '"Bálint Veres"'
1
Akademický článek
The Somaesthetics of Rock Climbing
Autor: Bálint Veres
Publikováno v: Parse Journal, Vol Thinking in Motion, Iss 18 (2024)
How can we develop an artistic practice that is relevant and satisfying in terms of mental challenges and physical intensity alike? How can we reach a state in which any human practice can be satisfying in both senses? As John Dewey put it in his Phi
Externí odkaz: https://doaj.org/article/8d8f6484fe2c428ba1e909cd4ebefea5
Zobrazit plný text záznamu
2
Akademický článek
Pragmatism, Critical Theory, Pop Culture, and Fashion: Interview with Stefano Marino
Autor: Bálint Veres
Publikováno v: ZoneModa Journal, Vol 12, Iss 1, Pp 213-218 (2022)
Externí odkaz: https://doaj.org/article/bf6fd2a26c614d03bd82e315bfec8b0c
Zobrazit plný text záznamu
3
Akademický článek
Patterns of Musical Time Experience Before and After Romanticism
Autor: Bálint Veres
Publikováno v: ESPES, Vol 10, Iss 1, Pp 64-77 (2021)
The article pays homage to the leading authority of 20th century Hungarian music aesthetics, József Ujfalussy, by connecting his heritage to more recent research on the problems of musical time and notably to the study pursued by Raymond Monelle. Ra
Externí odkaz: https://doaj.org/article/305c394c1e894cd7ac726bfef72a4679
Zobrazit plný text záznamu
4
Franz Liszt and the Temple of Art
Autor: Bálint Veres
Publikováno v: Hungarian Studies Yearbook. 4:10-32
Is it possible or desirable at all to establish a museum for music? The question was first posed by Franz Liszt in the 19th century. This essay will not only present the background and context of the question, but also the contradictory conclusions t
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::636951029fc2df6ad1348bae0b448d23
https://doi.org/10.2478/hsy-2022-0002
Zobrazit plný text záznamu
8
MUSIC AND SCIENCE IN THE EARLY WORKS OF PÉTER EÖTVÖS
Autor: Bálint Veres
Publikováno v: Tempo. 76:57-66
This article presents a survey of philosophical perspectives on the phenomena of ‘nature’ and ‘science/scientific’ in music and does so through a closer look at the first creative period of Péter Eötvös as a composer. Since the beginning o
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::a2535c6852a6a22be15072ff003eca7a
https://doi.org/10.1017/s0040298221000656
Zobrazit plný text záznamu

Vyhledávací nástroje:

Upřesnit hledání

Omezení vyhledávání
Plný text Recenzováno Digitální knihovna AV ČR
Zdroje