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pro vyhledávání: '"Aurel MURARU"'
Autor:
Aurel MURARU
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 66, Iss 2 (2021)
Facial expressions can be regarded as an accurate reflection of the inner emotions people manifest towards the surrounding reality, filtered through their own emotional „strainer”. The source of these feelings lies not only in external influences
Externí odkaz:
https://doaj.org/article/94c23ec271db41d9894fd2e6dd0be7fd
Autor:
Aurel MURARU
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 63, Iss 1 (2018)
As constituting elements of the musical performance, choral intonation and tuning are part of the essence of the art of music, representing one of the most important and, also, complex components of plurivocal music, as the elements that can provide
Externí odkaz:
https://doaj.org/article/fcc11cc7724f42cf9b6dc8196a0ad748
Autor:
Aurel MURARU
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 62, Iss 2 (2017)
Standing at the crossroad between tradition and modernism, the choral work of composer Dragoş Alexandrescu represents a genuine symbiosis between “the national” and “the universal”. The presence of his choral works in choir concert programs
Externí odkaz:
https://doaj.org/article/2222b53611f24f79aec03bb1b7fcf940
Autor:
Aurel MURARU
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 62, Iss 1 (2017)
“Psalm 124” by Ion Coţofan is an example of a choral work with religious text designed for a concert hall and not a liturgical service, a sample of the perfect combination between text and the music accompanying it. In the case of this work, one
Externí odkaz:
https://doaj.org/article/3eaf227f519740b1a559c1fddce43fec
Autor:
Aurel MURARU
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 61, Iss 2 (2016)
The present endeavour aims primarily at emphasizing the issues related to the interpretation of Orthodox liturgical choral music. Although, at first glance, the music of the Divine Liturgy seems to be just another art of sound, in reality it goes far
Externí odkaz:
https://doaj.org/article/5125d04bff7e49f1a14d7c923cf42a15
Autor:
Aurel MURARU
Publikováno v:
Studia Universitatis Babeş-Bolyai. Musica, Vol 61, Iss 1 (2016)
The conducting activity operates with two specific types of auditory attention – on one hand, the attention designed to correct potential errors that may occur in the musical text, and, on the other hand, the auditory attention that is specific to
Externí odkaz:
https://doaj.org/article/ad6fb98635324265be227a6f6cfd6685