Zobrazeno 1 - 10
of 22
pro vyhledávání: '"Auf der Heyde Alexander"'
Autor:
Auf der Heyde, Alexander
Il saggio ripercorre la ricezione giottesca nella prima metà dell’Ottocento. A differenza del mito di Giotto che conosce in quel periodo una vasta fortuna biografica, la pittura del maestro toscano rimane lungamente ignorata al punto che la sua ar
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::8075027d0afc7c41dffba5b5ee04d570
https://hdl.handle.net/10447/584918
https://hdl.handle.net/10447/584918
Autor:
Ermio Giuditta, Auf der Heyde Alexander, Gaetano Bongiovanni, Lazzara Giuseppe, Megna Bartolomeo, Sottile Sabrina, Tumminello Antonella
The article deals with the Raphael’s lost artwork Madonna del Velo, through the study of its copies ranging between the 16th and 19th century, and this allows us to reconstruct the original appearance of the lost image. The interest of this subject
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::15bf5ad92c3f394cab22dcd3eb371f25
https://hdl.handle.net/10447/593095
https://hdl.handle.net/10447/593095
Autor:
Auf der Heyde, Alexander
Francesco Carradori's treatise «Istruzione elementare per gli studiosi della scultura» (1802) codifies the organization and working process within a sculpture workshop in such an exemplary manner that it is an indispensable source for understanding
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::978bfa2c5c48a90dd5f3e9eee199d542
https://hdl.handle.net/10447/577231
https://hdl.handle.net/10447/577231
Autor:
Auf der Heyde, Alexander
The subject of the essay is Antoon van Dyck's stay in the small town of Zaventem, on the outskirts of Brussels, where the artist painted St Martin and the Pauper together with the image of a Madonna bearing - according to tradition - the features of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::e7132cd688f4f3fdde7f5a8505b998fc
https://hdl.handle.net/10447/577250
https://hdl.handle.net/10447/577250
Autor:
Auf der Heyde, Alexander
Due inedite testimonianze di Giuliano Briganti e Roberto Longhi gettano luce sul ruolo che lo storico dell'arte assume tanto nella fase di raccolta del materiale iconografico, quanto nella definizione della 'temperatura' del colorito durante la fase
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::6dac8426978d86586b43313bb7dc7c91
http://hdl.handle.net/10447/542471
http://hdl.handle.net/10447/542471
Autor:
Auf der Heyde, Alexander
Review of the annotated edition of: Ernst Michalski, Die Verwandlung des Knaben Kai. Roman, kritische Edition hrsg. v. Anna Maria Voci, Ergon, Baden Baden 2021
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::96854545d557b16ff1191c11f1d619cc
https://hdl.handle.net/10447/581790
https://hdl.handle.net/10447/581790
Autor:
Auf der Heyde, Alexander
Il saggio propone un'analisi dettagliata del percorso editoriale del volume «La Maniera italiana» che Giuliano Briganti pubblica nel 1961 come primo volume di una collana di libri interamente illustrati a colore, redatti da Editori Riuniti insieme
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::f6f8ee4bc1454b90137f687c6008c4c5
http://hdl.handle.net/10447/509996
http://hdl.handle.net/10447/509996
Autor:
Auf der Heyde, Alexander
Review of the commented edition of Heinrich Wölfflin's early monograph on the poet and painter Salomon Gessner (1889)
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::213b9a255ab6f3e30bc4e83701893eca
http://hdl.handle.net/10447/509501
http://hdl.handle.net/10447/509501
Autor:
Auf der Heyde, Alexander
After Canova’s death (1822), Italian contemporary art, especially painting, suffered from the widespread topos that Italy as “terre des morts” had frozen in historical self-reflection and therefore did not meet the demands of modern “romantic
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::071da1a2ce534a299061c839e6c1bcf8
http://hdl.handle.net/10447/458259
http://hdl.handle.net/10447/458259
Autor:
Auf der Heyde, Alexander
La ben nota statua seduta dell'«Aristotele» di Palazzo Spada (Roma) viene citata da Antonio Ciseri in una rappresentazione pittorica di un esule, che il pittore ticinese mette in scena come pensatore immerso in un paesaggio deserto. L'articolo ripe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3658::209c8b18e840ec8a2130c04470ac383a
http://hdl.handle.net/10447/542481
http://hdl.handle.net/10447/542481