Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Audiovisual studies"'
Autor:
Havelková, Tereza, author
Publikováno v:
Opera as Hypermedium : Meaning-Making, Immediacy, and the Politics of Perception, 2021, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780190091262.003.0001
Publikováno v:
Известия Уральского федерального университета. Серия 2: Гуманитарные науки, Vol 20, Iss 4(181), Pp 183-196 (2018)
This article considers the peculiarities of audiovisual historical sources in the context of studies of the popular music culture of the US and Great Britain in the twentieth century. The understanding of the peculiarities of audiovisual sources and
Externí odkaz:
https://doaj.org/article/63c9accc536a4ce781b38805f3fcb480
Autor:
Emilio Audissino
Publikováno v:
Cinergie, Vol 7, Iss 13, Pp 37-46 (2018)
The audiovisual object is like a product of visuals and sound, not a summation. Film analysis should track back to the separate factors and show how they multiply each other when combined. Music, in particular, can be an elusive element, especially f
Externí odkaz:
https://doaj.org/article/45cacdeb17bf4183bd6a5afaf2489155
Autor:
Brown, Richard H., author
Publikováno v:
Through The Looking Glass : John Cage and Avant-Garde Film, 2019, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780190628079.003.0006
Autor:
Brown, Richard H., author
Publikováno v:
Through The Looking Glass : John Cage and Avant-Garde Film, 2019, ill.
Externí odkaz:
https://doi.org/10.1093/oso/9780190628079.003.0001
Autor:
Rogers, Holly, Freitas, Joana, Porfírio, João Francisco
YouTube has afforded new ways of documenting, performing and circulating musical creativity. This first open access sustained exploration of YouTube and music shows how record companies, musicians and amateur users have embraced YouTube’s potential
Externí odkaz:
https://library.oapen.org/handle/20.500.12657/61935
Autor:
Julian Wacker, Ana Cristina Mendes
Publikováno v:
Repositório Científico de Acesso Aberto de Portugal
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
Repositório Científico de Acesso Aberto de Portugal (RCAAP)
instacron:RCAAP
This article offers a reading of the APESHIT music video by the duo The Carters (Beyoncé and Jay-Z) as an Afrosurrealist intervention in the White space of the Louvre. Against the backdrop of calls for decolonizing archives and public institutions s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3836804155b941778b052aa18a641635
https://hdl.handle.net/10451/50164
https://hdl.handle.net/10451/50164
Akademický článek
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