Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Athéna Efstathiou-Lavabre"'
Autor:
Athéna Efstathiou-Lavabre
Publikováno v:
Etudes Epistémè, Vol 37 (2020)
Over a hundred years have elapsed since Clarence Andrews first wrote that Richard Brome’s “reworking [in The Late Lancashire Witches] has made a worse play out of a very poor one”. Since then, critics have redressed this disparaging appraisal o
Externí odkaz:
https://doaj.org/article/df6a90dedb3542babeb7a005943d8eee
Autor:
Athéna Efstathiou-Lavabre
Publikováno v:
Etudes Epistémè, Vol 16 (2009)
Externí odkaz:
https://doaj.org/article/564440f3cada4c2da8fc6f50a25492a4
Autor:
Athéna Efstathiou-Lavabre
Publikováno v:
Etudes Epistémè, Vol 16 (2009)
Richard Brome (1590 ?-1652) often nurtures the hope of curing his characters, such as Peregrine, Joyless, Oldrents and others. And since it is characters he hopes to cure, not people, it would be preferable to replace the term comic catharsis with an
Externí odkaz:
https://doaj.org/article/3593f8a96a994fb3b4b62cf9f6ee1e50
Autor:
Athéna Efstathiou-Lavabre
Publikováno v:
Etudes Epistémè, Vol 9 (2006)
A Jovial Crew: or, The Merry Beggars was first performed at Beeston’s Cockpit Theatre in Drury Lane in 1642. Scholars have, for the most part, analysed the play through the prism of politics; England is on the brink of a civil war. The play-within-
Externí odkaz:
https://doaj.org/article/2734f1f5afa4489aa53902f50182122b
Autor:
Athéna Efstathiou-Lavabre
Publikováno v:
Etudes Epistémè, Vol 9 (2006)
A Jovial Crew : or, The Merry Beggars fut jouée au Cockpit Theatre à Londres en 1642. Cette comédie a surtout été analysée sous une perspective politique, l’Angleterre se trouvant en effet à la veille d’une guerre civile. L’étude du th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::473bc177c092e36ba92813dbb7157fdc
http://journals.openedition.org/episteme/2615
http://journals.openedition.org/episteme/2615
Autor:
Athéna Efstathiou-Lavabre
Publikováno v:
XVII-XVIII. 54:27-43
Estathiou-Lavabre Athéna. Le théâtre dans le théâtre : permanence d'une structure baroque dans The Antipodes (1638) de Richard Brome. In: XVII-XVIII. Bulletin de la société d'études anglo-américaines des XVIIe et XVIIIe siècles. N°54, 2002
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c271ec5004f12ebdb882ae65ec33ab27
https://doi.org/10.3406/xvii.2002.1637
https://doi.org/10.3406/xvii.2002.1637