Zobrazeno 1 - 10
of 26
pro vyhledávání: '"Assaf Shelleg"'
Autor:
Assaf Shelleg
Publikováno v:
Religions, Vol 15, Iss 4, p 466 (2024)
This article discusses Tzvi Avni’s Second Piano Sonata, Epitaph, a sonic commentary on one of the inner tales in Rabbi Nachman’s “The Seven Beggars”. Written between 1974 and 1979, Epitaph not only marks the composer’s act of translation (f
Externí odkaz:
https://doaj.org/article/cb98047265cd49cea94be2529573378d
Autor:
Assaf Shelleg
Jewish Contiguities and the Soundtrack of Israeli History unfolds the cultural itineraries of modern Jewish and Israeli art music. Extending from modern Jewish art music in Europe through its dislocation to British Palestine and Israel, the book capt
Autor:
Assaf Shelleg
Publikováno v:
Israel Studies. 28:200-214
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b74e8a4df6017199b2043c338dd7786c
https://doi.org/10.2979/israelstudies.28.1.12
https://doi.org/10.2979/israelstudies.28.1.12
Autor:
Assaf Shelleg
Publikováno v:
Journal of Modern Jewish Studies. 22:192-224
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d53a00b6ce9c35971257417006306cf4
https://doi.org/10.1080/14725886.2022.2039040
https://doi.org/10.1080/14725886.2022.2039040
Autor:
Assaf Shelleg
Publikováno v:
Theological Stains
Chapter 1 revolves around Josef Tal’s 1955 opera Saul at Ein-Dor, whose libretto is word-for-word the narrative given in 1 Samuel 28. Through this opera the chapter examines the actualization of the Bible in Hebrew culture and its promotion of terr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6a8d2fe5dfbd4e2dd926b4f2e72e1f78
https://doi.org/10.1093/oso/9780197504642.003.0002
https://doi.org/10.1093/oso/9780197504642.003.0002
Autor:
Assaf Shelleg
Publikováno v:
Theological Stains
If the actualization of biblical sovereignty in the Zionist present rendered eighteen centuries of exile a nocturnal existence, art music of the 1950s and 1960s interfered with such linearity using the linear properties of non-Western Jewish musical
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1acb96b86b90d1e5c06440d820dbd455
https://doi.org/10.1093/oso/9780197504642.003.0003
https://doi.org/10.1093/oso/9780197504642.003.0003
Autor:
Assaf Shelleg
Theological Stains traces the growth of art music in Israel from the mid-twentieth century to the turn of the twenty-first. In a riveting and provocative account, Assaf Shelleg explores the theological grammar of Zionism and its impact on the art mus
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::190f394ec40f31169e34c0252ad36c88
https://doi.org/10.1093/oso/9780197504642.001.0001
https://doi.org/10.1093/oso/9780197504642.001.0001
Autor:
Assaf Shelleg
Publikováno v:
Theological Stains
Extending from the early 1980s to the mid-2000s, chapter 4 opens with what thus far in the book has remained subjected to officialdom—the Holocaust. The chapter explores several simultaneous aesthetic modes through which composers and authors confr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bb13d26d8617936023516304889b3922
https://doi.org/10.1093/oso/9780197504642.003.0005
https://doi.org/10.1093/oso/9780197504642.003.0005
Autor:
Assaf Shelleg
Publikováno v:
Hebrew Studies. 60:255-291
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::48e26967c153e3916f37faf9aa27a387
https://doi.org/10.1353/hbr.2019.0000
https://doi.org/10.1353/hbr.2019.0000
Autor:
Assaf Shelleg
Publikováno v:
Hebrew Studies. 60:191-195
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e88a7220349702d2ef3b9e824b0ce0de
https://doi.org/10.1353/hbr.2019.0018
https://doi.org/10.1353/hbr.2019.0018