Zobrazeno 1 - 10
of 15
pro vyhledávání: '"Assaf Pinkus"'
Publikováno v:
Arts, Vol 11, Iss 6, p 121 (2022)
During the last five decades, the entire Christian religious landscape of the Sea of Galilee has undergone a gradual and steady reshaping, with devotional centers renovated, rebuilt, and even re-invented. Together they frame the area around the Sea o
Externí odkaz:
https://doaj.org/article/5d2fc1588f084c04a3fcdcca0e9fc397
Autor:
Assaf Pinkus
Why does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context
The Sides of the North is dedicated to Yona Pinson's extensive scholarly work on Northern Renaissance art, from Hieronymus Bosch's and Peter Breughel's oeuvre, through lessons of morality, the Fool's imagery, gender problems in the representation of
Autor:
Assaf Pinkus
Publikováno v:
Word & Image. 35:347-366
A pair of naked giants, male and female, gazing toward the congregation, flank the apse of St. Jakob in Kastelaz (c.1215) in Tramin, South Tyrol. This article argues that, rather than portr...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bd9d5f2c8a8a6ad265733ac918735b5a
https://doi.org/10.1080/02666286.2019.1567168
https://doi.org/10.1080/02666286.2019.1567168
Autor:
Assaf Pinkus
Publikováno v:
Speculum. 93:387-419
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4a5265925998672c5e293f5012b4e9eb
https://doi.org/10.1086/696813
https://doi.org/10.1086/696813
Autor:
Assaf Pinkus
Publikováno v:
Viator. 48:263-291
Late-medieval wooden objects along the Lower Rhine are uniquely characterized in their transformative quality, transitioning from sculpture to painting and vice versa. Being neither painting nor sc...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fede7000b952156d045b3bdc67e3ea53
https://doi.org/10.1484/j.viator.5.116356
https://doi.org/10.1484/j.viator.5.116356
Autor:
Assaf Pinkus, Michal Ozeri
Publikováno v:
Convivium. 1:118-141
The narrative cycle that adorns the central nave in the Basilica di S. Piero a Grado in Pisa (ca. 1302) comprises various episodes from the lives of Sts Peter and Paul drawn from biblical and apocryphal sources and local legend and fashioned after th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2f116d573ce4365a2fbfa8a8a39d7898
https://doi.org/10.1484/j.convi.5.103814
https://doi.org/10.1484/j.convi.5.103814
Autor:
Assaf Pinkus
Publikováno v:
Viator. 45:331-360
The immediate and communicative presence of the Bamberg Rider stands in stark contrast to his enigmatic identity, either lacking a specific identifying attribute or possessing redundant ones, preventing the production of a single coherent meaning. Th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::68084be7d050d3d04bff726964d968dc
https://doi.org/10.1484/j.viator.1.103794
https://doi.org/10.1484/j.viator.1.103794
Autor:
Assaf Pinkus
Publikováno v:
Gesta. 52:43-59
The martyrs’ cycle in the archivolts of the north choir portal of the Holy Cross Minster at Schwabisch Gmund (1351–70s) reveals a strikingly brutal parade of violence—decapitation, split skulls, mutilated organs, nails and teeth being torn out.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::18a00ad647e245814e255a65a0c75dcc
https://doi.org/10.1086/669684
https://doi.org/10.1086/669684