Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Asril Gunawan"'
Autor:
Asril Gunawan
Publikováno v:
CaLLs: Journal of Culture, Arts, Literature, and Linguistics, Vol 3, Iss 2, Pp 109-126 (2017)
Pa’rawana and sayyang pattuddu music are ones of the traditional arts owned by Mandar tribe. These are very popular and always presented every year, especially at khatam Qur’an ceremony. The performance of pa’rawana and sayyang pattuddu music i
Externí odkaz:
https://doaj.org/article/455f938820e54b45988214bc70299e06
Publikováno v:
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik. 3:15-24
This research aims to describe the presentation form and function of Bebalai music in the traditional ceremony of "Pesta Laut" Bontang Kuala. The "Pesta Laut" ceremony is a ritual for the indigenous people of Bontang Kuala that is still preserved and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::65bdedd7b671ff1f3b94b6a1cb544d38
https://doi.org/10.30872/mebang.v3i1.42
https://doi.org/10.30872/mebang.v3i1.42
Publikováno v:
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik. 2:111-122
East Kalimantan is a province rich in natural resources and the diversity of its traditional arts. The diversity of traditional art forms, particularly traditional music, can be observed in the Outback, Coastal, and Palace Music (Kedaton Kutai)—whi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c593925ec2cc0e5efdb78d89d7e9237c
https://doi.org/10.30872/mebang.v2i2.30
https://doi.org/10.30872/mebang.v2i2.30
Publikováno v:
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik. 2:19-48
Mamanda Kutai was a traditional theatre which owned by Kutai Kartanegara, Kalimantan Timur. Now, Kutai Kartanegara just has one group of Mamanda Kutai, namely Mamanda Panji Berseri. Typically of Mamanda Kutai, there is Ladon (pantun that we humming)
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6ad6bc1d16a88cf13a3656cb9072f989
https://doi.org/10.30872/mebang.v2i1.22
https://doi.org/10.30872/mebang.v2i1.22
Autor:
null Asril Gunawan
Publikováno v:
International Journal of Social Science. 1:341-346
Gambus Paser music is one among traditional perfoming arts belongs to Paser tribe. Contextually, gambus Paser performing art cannot be detacted from its socio-culural since it geographically affects the characteristic of that cultural music. Generall
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::05ef9b932d05f4db2676d00f1a2bfd56
https://doi.org/10.53625/ijss.v1i4.712
https://doi.org/10.53625/ijss.v1i4.712
Publikováno v:
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik. 1:51-62
Hudoq Kita' can be presented in two different forms of presentation. In addition to ritual music, the art form is also presented in the form of musical entertainment art of tourism. Hudoq Kita’ entertainment music is generally displayed on every Su
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fd05cbde88685cd75e57cc17f263805f
https://doi.org/10.30872/mebang.v1i2.14
https://doi.org/10.30872/mebang.v1i2.14
Publikováno v:
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik. 1:93-106
The art studio Apo Lagaan first appeared in Samarinda in 2007 and is still going on today. The Apo Lagaan art studio is an art studio that focuses on the traditional arts of the Bahau Dayak, especially the music of sape' karaang. This study aims to r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8c0b35b54b017645f8ced3c2e817d9ac
https://doi.org/10.30872/mebang.v1i2.12
https://doi.org/10.30872/mebang.v1i2.12
Autor:
Asril Gunawan
Publikováno v:
Resital: Jurnal Seni Pertunjukan. 21:113-126
The Symbolical Meaning Daak Maraaq Music and Daak Hudoq of Hudoq Bahau Ritual in Samarinda, East Borneo. The ritual of Hudoq is an annual cultural practice performed by Dayak Bahau people in the city of Samarinda. The performance of this ritual consi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::df5ee3295950b9e2865407f2fdeee8c8
https://doi.org/10.24821/resital.v21i2.4462
https://doi.org/10.24821/resital.v21i2.4462