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Autor:
Arthur Rollini
Publikováno v:
Thirty Years with the Big Bands ISBN: 9781349094301
We soon opened at the Palomar to a so-so crowd. People were curious to hear this new kind of band. Although they had heard us on the NBC show, people listened and danced with mixed emotions. The recordings that we had made in New York had begun to le
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3f7b46a838273343e479b66f2afb6817
https://doi.org/10.1007/978-1-349-09428-8_5
https://doi.org/10.1007/978-1-349-09428-8_5
Autor:
Arthur Rollini
Publikováno v:
Thirty Years with the Big Bands ISBN: 9781349094301
I did not know what to do at first, so I called Ed Kirkeby, Adrian’s partner and the manager of the California Ramblers. He told me that he had the I. J. Fox (the furrier) radio program signed for thirteen weeks on WMCA, and asked me if I would lik
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::60e0dabb98d6cbdb2733000668efe17e
https://doi.org/10.1007/978-1-349-09428-8_3
https://doi.org/10.1007/978-1-349-09428-8_3
Autor:
Arthur Rollini
Publikováno v:
Thirty Years with the Big Bands ISBN: 9781349094301
I believe that we had two rehearsals before opening. Unlike when I was playing with Goodman, we got paid for these. I was both player and contractor. Between shows we kept busy. We jammed a couple of times with Georgie Stoll, who played jazz violin.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f25fecd12e5dc8dcff0f24fc01408e9b
https://doi.org/10.1007/978-1-349-09428-8_6
https://doi.org/10.1007/978-1-349-09428-8_6
Autor:
Arthur Rollini
Publikováno v:
Thirty Years with the Big Bands ISBN: 9781349094301
On 9 March 1929 we set sail for England on the Berengaria, which was the second largest ship in the world, of some 52,000 tons displacement. It was a terribly rough voyage and many of the people were sick in their cabins. I was sitting alone at a tab
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::090de51c11954deae907b51f1aa6d547
https://doi.org/10.1007/978-1-349-09428-8_2
https://doi.org/10.1007/978-1-349-09428-8_2
Autor:
Arthur Rollini
Publikováno v:
Thirty Years with the Big Bands ISBN: 9781349094301
Meanwhile I received a call from Will Bradley’s manager, Doc Richardson. He asked me if I wanted to join the band. After coming to terms I accepted. Will Bradley had been a busy freelance radio trombone player. He was also good looking, and the Wil
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1a345dcc40afea85f3fb1d07dd0f75ee
https://doi.org/10.1007/978-1-349-09428-8_7
https://doi.org/10.1007/978-1-349-09428-8_7
Autor:
Arthur Rollini
Publikováno v:
Thirty Years with the Big Bands ISBN: 9781349094301
I was born Arthur Francis Rollini on 13 February 1912. My birthday was sandwiched between those of two great men: Abraham Lincoln on February 12th, and St Valentine, who lived in the third century, on February 14th. I do not claim to be even one perc
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2dd2c7dece1bf696b9928864faab8a01
https://doi.org/10.1007/978-1-349-09428-8_1
https://doi.org/10.1007/978-1-349-09428-8_1
Autor:
Arthur Rollini
Publikováno v:
Thirty Years with the Big Bands ISBN: 9781349094301
At the first rehearsal with Goodman we played Edgar Sampson’s Stompin’ at the Savoy and several arrangements that Irving Szathmary had written. Billy Rose had hired Lou Foreman, a middle-aged man, to conduct the show. (Benny could not conduct.) T
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fd14612f6fdaebb3a6740657f04fe80d
https://doi.org/10.1007/978-1-349-09428-8_4
https://doi.org/10.1007/978-1-349-09428-8_4
Autor:
Arthur Rollini
Arthur Rollini describes his career as a tenor saxophonist in the big US jazz orchestras. In the 1920s he played in London with the Savoy Dance Orchestra and on his return to the USA he joined the nascent Benny Goodman Orchestra, before working in th