Zobrazeno 1 - 10 of 22 pro vyhledávání: '"Arte brasileño"'
1
Akademický článek
Spanish Marian devotions in colonial Brazil
Autor: Carlos Javier CASTRO BRUNETTO
Publikováno v: Revista de Estudios Brasileños, Vol 3, Iss 4, Pp 11-23 (2016)
The aim of this paper is to analyze the presence of Spanish devotions of the Virgin Mary and their roots in several Brazilian regions. This presence has been an unexplored field in the religious and cultural history of the country. We will be studyin
Externí odkaz: https://doaj.org/article/78b46305c7a945ceb7840fc8c20196c9
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2
The Criticism of Frederico Morais and the 'Semana de 22': Mário de Andrade, Bernardelli Group, Rio de Janeiro and Desire for a Historical Revision of Modernism in Brazil
Autor: Oliva, Fernando
Publikováno v: ARS (São Paulo), Volume: 20, Issue: 45, Pages: 362-433, Published: 12 SEP 2022
Resumo Este artigo analisa as transformações na produção do crítico brasileiro Frederico Morais (Belo Horizonte, 1936) a partir do início da década de 1980, quando suas posições sobre quais rumos deveria tomar a arte brasileira tornam-se gra
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od_______608::4d44c6e262b2ff17dd39537619e06333
http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1678-53202022000200362&lng=en&tlng=en
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3
Como acabou o neoconcretismo?
Autor: Brown, Nicholas
Publikováno v: ARS (São Paulo), Volume: 20, Issue: 45, Pages: 298-360, Published: 12 SEP 2022
In this article, Nicholas Brown analyses the work of Hélio Oiticica from the 50s - when it was firmly related to the research conducted by the Neo-Concrete avant-garde - to the 70s and demonstrates how these works thematize in insistent ways an expe
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od_______608::10708a35731bf6262a7f18847c646af0
http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1678-53202022000200298&lng=en&tlng=en
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4
How Did Neo-Concretism End?
Autor: Brown, Nicholas
Publikováno v: ARS; Vol. 20 No. 45 (2022): Brazilian Modernity Special Issue; 298-360
ARS (São Paulo); v. 20 n. 45 (2022): Especial Modernidade Brasileira; 298-360
ARS; Vol. 20 Núm. 45 (2022): Edición Especial Modernidad Brasileña; 298-360
ARS (São Paulo. Online)
Universidade de São Paulo (USP)
instacron:USP
Neste artigo, Nicholas Brown analisa a trajetória de Hélio Oiticica desde seus trabalhos da década de 1950, alinhados às pesquisas da vanguarda neoconcreta, até sua obra dos anos 1970, demonstrando como o componente da experiência, tematizado n
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3056::01548be7e042fa969f2808fee609b6c5
https://www.revistas.usp.br/ars/article/view/200329
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5
La crítica de Frederico Morais y la Semana del 22: Mário de Andrade, Núcleo Bernardelli, Río de Janeiro y la intención de una revisión histórica del modernismo en Brasil
Autor: Oliva, Fernando
Publikováno v: ARS; Vol. 20 No. 45 (2022): Brazilian Modernity Special Issue; 362-433
ARS (São Paulo); v. 20 n. 45 (2022): Especial Modernidade Brasileira; 362-433
ARS; Vol. 20 Núm. 45 (2022): Edición Especial Modernidad Brasileña; 362-433
ARS (São Paulo. Online)
Universidade de São Paulo (USP)
instacron:USP
This article analyzes the transformations in the production of the Brazilian critic Frederico Morais (Belo Horizonte, 1936) from the beginning of the 1980s, when his positions on the paths that Brazilian art should take became gradually less incisive
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3056::78dae82a530d5952ec5e64670e50b935
https://www.revistas.usp.br/ars/article/view/197387
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6
Akademický článek
The architecture of Brazilian colonial sources in the time of Felipe II: José de Anchieta and Gabriel Soares de Sousa
Autor: Carlos Javier CASTRO BRUNETTO
Publikováno v: Revista de Estudios Brasileños, Vol 1, Iss 1, Pp 55-72 (2014)
Architecture was born in Brazil during the second half of the 16th century. While in Europe there were frequent intellectual debates and discussions about art, in this land of South America they were interested in fortifying the territory, fighting t
Externí odkaz: https://doaj.org/article/0918d3c0257848358a46f5226f5052b3
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7
Crossovers between Word and Image in Three Moments of Brazilian Art
Autor: Fernando Gerheim
Publikováno v: ARS, Vol 18, Iss 39, Pp 105-128 (2020)
ARS; Vol. 18 No. 39 (2020); 105-128
ARS (São Paulo); v. 18 n. 39 (2020); 105-128
ARS; Vol. 18 Núm. 39 (2020); 105-128
ARS (São Paulo. Online)
Universidade de São Paulo (USP)
instacron:USP
ARS (São Paulo), Volume: 18, Issue: 39, Pages: 105-128, Published: 28 AUG 2020
Este artigo aborda o cruzamento entre palavra e visualidade em três momentos da arte brasileira: Concretismo, Neoconcretismo e Nova Objetividade Brasileira. De um primeiro momento em que se busca a identidade entre palavra e imagem de modo predomina
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c75f9e774196e34e1e8616d7dbd33427
http://www.scielo.br/scielo.php?script=sci_arttext&pid=S1678-53202020000200105&tlng=pt
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8
El arte brasileño no se limita al eje Río de Janeiro-São Paulo: acentos poéticos del Nordeste para una historia urgente del arte
Autor: Bruno, Eduardo, Lima, João Paulo, Castro, Waldírio
Publikováno v: REVISTA POIÉSIS; Vol. 23 No. 39 (2022): Indigestos trópicos; 55-72
REVISTA POIÉSIS; Vol. 23 Núm. 39 (2022): Indigestos trópicos; 55-72
REVISTA POIÉSIS; v. 23 n. 39 (2022): Indigestos trópicos; 55-72
Poiésis (Niterói. Online)
Universidade Federal Fluminense (UFF)
instacron:UFF
This text bets on the plural dimension of contemporary artistic production from/in the Brazilian northeast, based on the appropriation of the term "accent" from the field of linguistics. It aims to establish ruptures in the history of national art, t
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3056::729e1b395d6def3e977d5a0911711933
https://periodicos.uff.br/poiesis/article/view/52943
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9
Objeto técnico # 1: Gambiarra
Autor: Camargo, Edith de, Wegner, Ana Cristine, Feitosa, Charles, Becker, Shadiyah Venturi
Publikováno v: Voz e Cena (Voice and Scene); Vol. 2 No. 02: Voz e Cena (jul-dez/2021); 250-253
Voz e Cena; Vol. 2 Núm. 02: Voz e Cena (jul-dez/2021); 250-253
Voz e Cena; v. 2 n. 02: Voz e Cena (jul-dez/2021); 250-253
The present sound piece is a result of the research around the notion of gambiarra developed by the Augmented Voice group (Voz Aumentada) of POPLAB-UNIRIO. Mixing spontaneous speech during the group discussions, extracts from theorical works on the s
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=portalunbbra::e3b7a5283cc0d3ee8e9a803e53b3925d
https://periodicos.unb.br/index.php/vozecena/article/view/40598
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10
El ocio (re)significado en 'Domingos da Criação'
Autor: Chagas, Tamara Silva
Publikováno v: PÓS: Journal of the Arts Postgraduation Program at EBA/UFMG; Vol. 11 No. 22: May.2021-Aug.2021; 364-376
PÓS: Periódico del Programa de Posgrado en Artes de EBA/UFMG; Vol. 11 Núm. 22: May.2021-Ago.2021; 364-376
PÓS: Revista do Programa de Pós-graduação em Artes da EBA/UFMG; v. 11 n. 22: mai.2021-ago.2021; 364-376
Pós (Universidade Federal de Minas Gerais. Online)
Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
“Domingos da Criação” was a series of artistic events organized in 1971 by Frederico Morais in the external area of MAM-RJ. In these events, the participating public could experience the creative process through the use of poor materials. Morai
Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3056::698edf99dab98f64f3dae016319793f5
https://periodicos.ufmg.br/index.php/revistapos/article/view/24156
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