Left ventricular dyssynchrony and abnormalities in wall motion, assessed by gated-SPECT as ischemic auxiliary markers

Autor: Camilletti, Jorge, Erriest, Juan, Espinola-Zavaleta, Nilda, Hernández-Sandoval, Salvador, Redolatti, Mónica, Cartasegna, Luis, Arregui, Víctor, Vigo, Gustavo, Alexanderson-Rosas, Erick ^*

Publikováno v: In Journal of Nuclear Cardiology December 2020 27(6):2261-2268

Elucidating the auxiliary particle filter via multiple importance sampling

Autor: Elvira Arregui, Victor, Martino, Luca, Bugallo, Monica, Djurić, Petar M.

Publikováno v: Elvira Arregui, V, Martino, L, Bugallo, M & Djurić, P M 2019, ' Elucidating the auxiliary particle filter via multiple importance sampling ', IEEE Signal Processing Magazine, vol. 36, no. 6, pp. 145-152 . https://doi.org/10.1109/MSP.2019.2938026

Sequential Monte Carlo methods, also known as particle filtering, have seen an explosion of development both in theory and applications. The publication of [1], sparked huge interest in the area of sequential signal processing, and in particular in s

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______3094::7812d22beffc625df53e868d2bb3730e
https://hdl.handle.net/20.500.11820/6fb3a690-8630-4a6e-92d7-b32b900d79ef

Nuevas perspectivas sobre la transnacionalidad del cine hispánico

Autor: Robin Lefere, Nadia Lie

This book brings together scholars from Europe, Latin America and the United States in a shared effort to assess the critical potential of the transnational paradigm for Spanish and Latin American cinema. After an introductory part, including a state

Ecuadorian Cinema for the 21st Century

Autor: María Fernanda Miño Puga

Ecuadorian cinema has been largely overlooked in film scholarship, usually being limited to brief descriptions in Latin American compendiums. Ecuadorian cinema for the 21st century would be the first major publication in English to fill this gap. I

Latsploitation, Exploitation Cinemas, and Latin America

Autor: Victoria Ruétalo, Dolores Tierney

Exploring the much neglected area of Latin American exploitation cinema, this anthology challenges established continental and national histories and canons which often exclude exploitation cinema due to its perceived ‘low'cultural status. It argue