Zobrazeno 1 - 10
of 41
pro vyhledávání: '"Arnold, Witte"'
Neutral observer or institutionalized voice? Willibald Sauerländer and German art history after 1945
Autor:
Arnold Witte
Publikováno v:
Journal of Art Historiography, Vol 29, Pp 29-AW1 (2023)
The volume Willibald Sauerländer und die Kunstgeschichte highlightsthe academic career of one of the more influential German art historians of the twentieth century, who for nearly twenty years headed the Zentralinstitut für Kunstgeschichte in Muni
Externí odkaz:
https://doaj.org/article/99086fedf60c484b995a5a8e79cf7d2b
A Companion to the Early Modern Cardinal is the first comprehensive overview of its subject in English or any language. Cardinals are best known as the pope's electors, but in the centuries from 1400 to 1800 they were so much more: pastors, inquisito
Autor:
Arnold Witte
Publikováno v:
Journal of Art Historiography, Iss 24, Pp 24-AW1 (2021)
The volume under review here investigates how politics in post-1945 Europe affected the academic, critical and political discourses on art. It focuses specifically (but not exclusively) on the fringes of the continent: the eastern and southern region
Externí odkaz:
https://doaj.org/article/47b8ebb93b6c4688b5ca792c93b94080
Autor:
Arnold Witte
Publikováno v:
Journal of Art Historiography, Iss 21, Pp 21-AW1 (2019)
In her book on the historiography of German Baroque and Rococo art during the period 1830-1930, Ute Engel discusses how the rediscovery of the German Baroque led to the canonization of many monuments and artists. She argues that, although there was a
Externí odkaz:
https://doaj.org/article/337321ae5ca746bf98f5c747f85ae556
Autor:
Arnold Witte
Publikováno v:
Portrait Cultures of the Early Modern Cardinal. :231-258
Publikováno v:
Incontri: Rivista Europea di Studi Italiani, Vol 29, Iss 2, Pp 117-129 (2014)
Sophie Levie – La censura cattolica e il modernismo: il caso d’AnnunzioPaul Sambre – Lingua originale con sottotitoli: quando il sottotitolo del film italiano fa da ponte con le FiandreViolet Soen – A new tekst edition for artistic and diplom
Externí odkaz:
https://doaj.org/article/adb40eb6a8fa46fe9ff2e891840d68f8
Autor:
Arnold Witte
Publikováno v:
Journal of Art Historiography, Vol 16, Pp 16-AW1 (2017)
Review of Kunstgeschichte in den besetzten Gebieten 1939-1945, edited by Magdalena Bushart, Agnieszka Gasior and Alena Janatkova. Cologne/Weimar/Vienna: Böhlau, 2016. The art historiography of the period of German National-Socialism has made signifi
Externí odkaz:
https://doaj.org/article/56a47b2093b941e7897b48bc37f30916
Autor:
Arnold Witte
Publikováno v:
International Journal of Cultural Policy, 27(3), 344-357. Routledge
The Dutch Peter Stuyvesant art collection, started in 1960, seems to offer the archetypical success story of a private entrepreneur sharing his love of art with his employees. Yet this specific corporate art collection was not the brainchild of an en
Autor:
Arnold Witte
Publikováno v:
Journal of Art Historiography, Vol 14, Pp 14-AW1 (2016)
The 1926 re-edition of Heinrich Wölfflin’s Renaissance und Barock was curated by one of Wölfflin’s pupils, Hans Rose. On the request of either Wölfflin or his publisher, Bruckmann, Rose added a long essay to original book, a Commentary, which
Externí odkaz:
https://doaj.org/article/d7b64f731a29445b9f581de5fa80d352
Autor:
Arnold Witte, Andrew Hopkins
Publikováno v:
Journal of Art Historiography, Vol 14, Pp 14-WHR1 (2016)
The Commentary by Hans Rose was published as an appendix to the fourth edition of Heinrich Wölfflin’s Renaissance und Barock - eine Untersuchung über Wesen und Entstehung des Barockstils in Italien, published in 1926. It was almost as long as the
Externí odkaz:
https://doaj.org/article/30596381241c4822bd232cd970bfacd9