Zobrazeno 1 - 10
of 52
pro vyhledávání: '"Ariella Azoulay"'
Autor:
Ariella Azoulay, Adi Ophir
Since the start of the occupation of Palestinian territories in 1967, Israel's domination of the Palestinians has deprived an entire population of any political status or protection. But even decades on, most people speak of this rule—both in every
Autor:
Ariella Azoulay
In this carefully curated and beautifully presented photobook, Ariella Azoulay offers a new perspective on four crucial years in the history of Palestine/Israel. The book reconstructs the processes by which the Palestinian majority in Mandatory Pales
Autor:
Ariella Azoulay
Publikováno v:
The Violence of the Image ISBN: 9781003104001
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2c34281301b6584532cab3a8011bca1d
https://doi.org/10.4324/9781003104001-9
https://doi.org/10.4324/9781003104001-9
Autor:
Ariella Azoulay
Publikováno v:
Journal of Visual Culture. 17:166-176
This article utilizes photographs taken in Berlin just after the end of World War II to reconstruct the history of mass rape that took place in the city during this period and to argue for this event as foundational to post-war democratic political r
Autor:
Justin Carville, Ariella Azoulay
Publikováno v:
The Routledge Companion to Photography Theory ISBN: 9781315727998
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d79fe970c15096333fdd42dd9ab12822
https://doi.org/10.4324/9781315727998-13
https://doi.org/10.4324/9781315727998-13
Autor:
Ariella Azoulay
Publikováno v:
Visual Anthropology Review. 33:5-17
In front of many cameras and representatives of the international community that surround him, unexpectedly, and outside of any protocol that was prepared for this occasion, an elderly Palestinian man dares to stop, to withdraw his consent to leave h
Autor:
Ariella Azoulay
Publikováno v:
Fragmentation of the Photographic Image in the Digital Age
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4fbb6a28cea22fa660b95f15ecf27ef9
https://doi.org/10.4324/9781351027946-3
https://doi.org/10.4324/9781351027946-3
Autor:
Ariella Azoulay
Publikováno v:
Camera Obscura: Feminism, Culture, and Media Studies. 31:187-201
The growing literature and catalogs on photographic collaboration, participation, and collectivity, which are part of the proliferation of artistic projects that assert collaboration as their goal, still mainly focus on photographers who initiate col
Autor:
Bonnie Honig, Ariella Azoulay
Publikováno v:
differences. 27:48-93
Since Hannah Arendt wrote Eichmann in Jerusalem in 1964, her stance toward the Eichmann trial in Israel has been the subject of controversy. This essay considers why Arendt, in her reporting on the trial, seems to have insisted on a criterion of “r