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pro vyhledávání: '"Ariadna Moreno Pellejero"'
Autor:
Ariadna Moreno Pellejero
Publikováno v:
Comparative Cinema. 9:112-133
This article explores how three women filmmakers express their ways of understanding and experiencing pleasure, based on a comparative study of Christmas on Earth (Barbara Rubin, 1963), Fuses (Carolee Schneemann, 1964–67) and Je, tu, il, elle (Chan
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c1843273813fecc11f2ae663494c9fba
https://doi.org/10.31009/cc.2021.v9.i16.07
https://doi.org/10.31009/cc.2021.v9.i16.07
Autor:
Ariadna Moreno Pellejero
Publikováno v:
Comparative Cinema; Vol. 7, Núm. 13 (2019): ; 91-94, 157-160
Comparative Cinema; Vol 7, No 13 (2019): Notes for a historical study of corpses as cinematographic figures; 91-94, 157-160
Ariadna Moreno Pellejero
Comparative Cinema; Vol 7, No 13 (2019): Notes for a historical study of corpses as cinematographic figures; 91-94, 157-160
Ariadna Moreno Pellejero
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::244c5f23822bdfb566229b10b75befcd
http://www.raco.cat/index.php/Comparativecinema/article/view/360979
http://www.raco.cat/index.php/Comparativecinema/article/view/360979