Zobrazeno 1 - 10
of 12
pro vyhledávání: '"Arabella Stanger"'
Autor:
Arabella Stanger, Simon Ellis
Publikováno v:
The International Journal of Screendance, Vol 6, Iss 0 (2016)
A Conversation between Arabella Stanger and Simon Ellis regarding student screendance projects at Roehampton University.
Externí odkaz:
https://doaj.org/article/a112e93a565f4fc3859e6f58218cf984
Autor:
Jeremy Toussaint-Baptiste, Sara Jane Bailes, Alexandrina Hemsley, Rajni Shah, Arabella Stanger, Royona Mitra
Publikováno v:
Theatre Research International. 46:230-245
Unsettling Sound examined the at once destabilizing and liberatory experiential dimensions of sounding through three dialogue-events, opening up possible meanings, sensations, ideological and bodily potentialities of the sonic, and the sonic potentia
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a9ca7d15367abf6a859cffb473fd4bc3
https://doi.org/10.1017/s0307883321000134
https://doi.org/10.1017/s0307883321000134
Autor:
Arabella Stanger
Scottish dancer and choreographer Michael Clark has long been heralded the bad boy of British ballet. From his youthful absconsions from the Royal Ballet’s lower school and eventual jettison of a contract with that company for a career in contempor
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c096fdcfe3fe9dc7d71a8a27928c0160
Autor:
Arabella Stanger
Publikováno v:
Performance Research. 24:11-20
In Sondra Perry’s installation Typhoon Coming On (2018) a digitally manipulated seascape flows around three walls of London’s Serpentine gallery. The video projection reworks J.M.W. Turner’s Slavers Throwing Overboard the Dead and Dying – Typ
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d2d6df68a005c4e8981fa1a032c0ac87
https://doi.org/10.1080/13528165.2019.1671710
https://doi.org/10.1080/13528165.2019.1671710
Autor:
Arabella Stanger
Scottish dancer and choreographer Michael Clark has long been heralded the bad boy of British ballet. From his youthful absconsions from the Royal Ballet’s lower school and eventual jettison of a contract with that company for a career in contempor
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::98fa120778948284b4f22c879b4f14e3
https://doi.org/10.1093/oxfordhb/9780190871499.001.0001
https://doi.org/10.1093/oxfordhb/9780190871499.001.0001
Autor:
Arabella Stanger
o The politics of theater dance are commonly theorized in relation to its articulations of bodily freedom, resistance, agitation, or repair. However, as Arabella Stanger argues in Dancing on Violent Ground, canonical Euro-American choreographies are
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2526d574d8a5ad2440460206f8335909
Autor:
Arabella Stanger
The politics of theater dance is commonly theorized in relation to bodily freedom, resistance, agitation, or repair. This book questions those utopian imaginaries, arguing that the visions and sensations of canonical Euro-American choreographies carr
Autor:
Arabella Stanger
Publikováno v:
Performance Research. 21:65-73
In thinking through Michel Foucault’s concept of heterotopia, with a particular focus on the sailing vessel as the heterotopic space par excellence, this article develops an idea of ‘the choreographic’ in order to illuminate the spacetime diale
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a6564cf0d20af7022904d9c5ac813579
https://doi.org/10.1080/13528165.2016.1176739
https://doi.org/10.1080/13528165.2016.1176739
Autor:
Arabella Stanger
This chapter brings contemporary dance into dialogue with modernist and Homeric epics through an exploration of Merce Cunningham’s dance in the round, Ocean (1994). Born from Joseph Campbell’s suggestion to Cunningham and John Cage that James Joy
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::77cacdb523bd10727642105664720942
https://doi.org/10.1093/oso/9780198804215.003.0011
https://doi.org/10.1093/oso/9780198804215.003.0011
Autor:
Arabella Stanger
Publikováno v:
New Theatre Quarterly. 30:72-90
With its emphasis on the socially constructed and mobile nature of ‘space’, Henri Lefebvre's theory of spatial production presents rich possibilities for a sociocultural analysis of choreography. In this article Arabella Stanger uses an examinati
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::cab46b637f4712e0ce0477d07999613c
https://doi.org/10.1017/s0266464x14000098
https://doi.org/10.1017/s0266464x14000098