Zobrazeno 1 - 10
of 28
pro vyhledávání: '"Antonio Scuderi"'
Autor:
Antonio Scuderi
Publikováno v:
Oral Tradition, Vol 21, Iss 1, Pp 68-89 (2006)
Externí odkaz:
https://doaj.org/article/f413c058a938474fb4186bc95eeb2926
Autor:
Antonio Scuderi
Publikováno v:
Oral Tradition, Vol 15, Iss 1, Pp 26-38 (2000)
Externí odkaz:
https://doaj.org/article/f070cf003af14d14abe9a6f24ef3e1c0
Autor:
Antonio Scuderi
As a playwright and a performer, Dario Fo (1926-) is one of the most important figures in world theatre. By the 1980s some were proclaiming him the most widely performed living playwright. In 1997 his achievements were acknowledged with the Nobel Pri
Autor:
Antonio Scuderi
Publikováno v:
New Theatre Quarterly. 31:203-212
Anthropological issues concerning socio-cultural evolution were important in the development of Marxism and led to the theories of cultural materialism. Besides Marx and Engels, anthropology was an important subject for other seminal Marxist theorist
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4c68210ce11aa1dc29edf9d322e273a7
https://doi.org/10.1017/s0266464x15000433
https://doi.org/10.1017/s0266464x15000433
Autor:
Antonio Scuderi
Publikováno v:
New Theatre Quarterly. 35:92-92
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bab8d30b76cd5f2ccfa22bb22ea1116a
https://doi.org/10.1017/s0266464x18000659
https://doi.org/10.1017/s0266464x18000659
Autor:
Antonio Scuderi
Publikováno v:
New Theatre Quarterly. 28:334-342
For over half a century the Italian Nobel playwright and performer Dario Fo (b. 1926) developed a theatre that challenged the authority of hegemonic culture, while promoting the validity and dignity of folk and popular cultures. In his satire of the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fdb8c2fbb52f8c07cde03f5293f5971f
https://doi.org/10.1017/s0266464x12000632
https://doi.org/10.1017/s0266464x12000632
Autor:
Antonio Scuderi
Publikováno v:
New Theatre Quarterly. 21:13-22
Dario Fo has developed his own brand of epic theatre by adapting principles and techniques from various forms of popular performance and the oral tradition. He stays detached from the role he plays by frequently shifting in and out of character and b
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5feb391c7254322667a00d69f30c9b13
https://doi.org/10.1017/s0266464x04000296
https://doi.org/10.1017/s0266464x04000296
Autor:
Antonio Scuderi
Publikováno v:
Theatre Journal. 55:275-290
Throughout his long and successful career, Dario Fo has based his theater on popular theatrical forms and the oral tradition. In many ways, this was at the heart of the controversy surrounding the decision to award him the Nobel Prize in Literature i
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::aa560d93d1a906a114d80cb50e6f19fe
https://doi.org/10.1353/tj.2003.0082
https://doi.org/10.1353/tj.2003.0082
Autor:
Antonio Scuderi
Publikováno v:
Text and Performance Quarterly. 16:216-232
In his role as a modem‐day giullare, Dario Fo has made a point of questioning and subverting the authority of the Catholic Church. His criticism has focused on the concept of cosmic terror and the image of the severe paternal god as means of assert
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a18ad84f534afb13639a9b4bc8b19c6a
https://doi.org/10.1080/10462939609366149
https://doi.org/10.1080/10462939609366149
Autor:
Antonio Scuderi
Publikováno v:
Italian Culture. 12:239-246
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1190c03487924d5e0028fd69cdd105d4
https://doi.org/10.1179/itc.1994.12.1.239
https://doi.org/10.1179/itc.1994.12.1.239