Zobrazeno 1 - 10
of 33
pro vyhledávání: '"Antonia Rigaud"'
Autor:
Antonia Rigaud
Publikováno v:
Transatlantica, Vol 1 (2023)
Externí odkaz:
https://doaj.org/article/c90c3b01b97341e3ba7e72fa5ad95ccd
Autor:
Antonia Rigaud
Publikováno v:
Interfaces, Vol 43, Pp 75-87 (2020)
This article looks at the way Joseph Cornell transforms detritus from early 20th century consumer society into artworks. This gesture evokes the figures of the flâneur and the rag-picker, but ultimately corresponds to the specifically American aesth
Externí odkaz:
https://doaj.org/article/a1250c15765a4b489d246106b2fcd967
Autor:
Antonia Rigaud
Publikováno v:
Sillages Critiques, Vol 27 (2019)
This article looks at the works of two American artists from the second half of the 20th century : Noah Purifoy and Robert Smithson. These two sculptors question the notion of place in very similar ways, erecting their sculptures in the desert. The A
Externí odkaz:
https://doaj.org/article/166012882c1248d6adac1d06974d0a00
Autor:
Antonia RIGAUD
Publikováno v:
E-REA, Vol 13 (2015)
The film that we now call Manhatta was originally shown in New York at the Rialto Theatre under the title New York the Magnificent; it was then shown in Paris under the title Fumée de New York during a Dada evening, and finally presented in London u
Externí odkaz:
https://doaj.org/article/3cd65b34bd26466e8985bdde2c4da45c
Autor:
Antonia Rigaud
Publikováno v:
Sillages Critiques, Vol 18 (2015)
This article addresses John Cage’s ambiguous relationship with theatre throughout his career. Influenced early by Artaud and Stein, he often referred to theatre and understood his own art project as a reflection on theatricality and performance. Th
Externí odkaz:
https://doaj.org/article/d4c8bdaf44334898be1df9f669cb068d
Autor:
Antonia Rigaud
Publikováno v:
Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 6 (2012)
This paper looks at the way land artists deal with the notions of nature and environment and at how their artworks aim at creating a particular relationship with the land. These artworks shift away from the optical and seek to create a sense of disor
Externí odkaz:
https://doaj.org/article/c48e6ff6900143cbb8d73ac50e43d166
Autor:
Antonia Rigaud
Publikováno v:
Textes & Contextes, Iss 4 (2009)
John Cage et Jerome Rothenberg envisagent tous les deux leur pratique poétique à partir de la notion de writing through, ce qui inscrit la traduction au cœur de leur travail. La traduction, ou la traversée de l’écriture, leur permet de pulvér
Externí odkaz:
https://doaj.org/article/53bdf284c0e9494ea8d2c80d50c2bcc8
Autor:
Antonia Rigaud
Publikováno v:
European Journal of American Studies, Vol 11, Iss 1
Through a reading of William Carlos Williams’ In the American Grain (1925), this paper seeks to look at the questions raised by the writing of history in the modernist context and to explore Williams’ particular definition of history.Williams’
Externí odkaz:
https://doaj.org/article/199a3897fa884158ad880483d38323bb
Autor:
Antonia Rigaud
Adrian Piper’s career which spans close to 60 years illustrates the passage in American art from conceptualism to performance art at the turn of the 1970s. She uses the language of conceptualism to interrogate, through performance, the notion of id
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ab4e5f29feb4899aa333dc7d232da264
http://journals.openedition.org/inmedia/2754
http://journals.openedition.org/inmedia/2754
Autor:
Antonia Rigaud
This article looks at the poetry of the Black Arts Movement as a response to the first avant-garde’s poetry of experimentation. It analyses how Amiri Baraka and Gwendolyn Brooks borrow from these poetic gestures, through collage, in order to respon
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::99b300d914b2d451607dc265f6464518
https://doi.org/10.3366/edinburgh/9781474486095.003.0012
https://doi.org/10.3366/edinburgh/9781474486095.003.0012