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pro vyhledávání: '"Anthony Shay"'
Autor:
Anthony Shay
Publikováno v:
Folk Dance and the Creation of National Identities ISBN: 9783031233357
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::43a4b1e85bd83229f672c02fc200b28a
https://doi.org/10.1007/978-3-031-23336-4_6
https://doi.org/10.1007/978-3-031-23336-4_6
Autor:
Anthony Shay
Publikováno v:
Folk Dance and the Creation of National Identities ISBN: 9783031233357
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::092522ea49c740607aa69fb6e1f66fe1
https://doi.org/10.1007/978-3-031-23336-4_3
https://doi.org/10.1007/978-3-031-23336-4_3
Autor:
Anthony Shay
Publikováno v:
Folk Dance and the Creation of National Identities ISBN: 9783031233357
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::813dcba21a773459452bb313a66dccb8
https://doi.org/10.1007/978-3-031-23336-4_1
https://doi.org/10.1007/978-3-031-23336-4_1
Autor:
Anthony Shay
Publikováno v:
Folk Dance and the Creation of National Identities ISBN: 9783031233357
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8f4aa524fcbc25ff4e56e679c2069533
https://doi.org/10.1007/978-3-031-23336-4_4
https://doi.org/10.1007/978-3-031-23336-4_4
Autor:
Anthony Shay
Publikováno v:
Folk Dance and the Creation of National Identities ISBN: 9783031233357
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8460e465cb04aaabefa47ad5eb27b687
https://doi.org/10.1007/978-3-031-23336-4_5
https://doi.org/10.1007/978-3-031-23336-4_5
Autor:
Anthony Shay
Publikováno v:
Folk Dance and the Creation of National Identities ISBN: 9783031233357
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e92864692d44aad113e5529bf80d2e07
https://doi.org/10.1007/978-3-031-23336-4_2
https://doi.org/10.1007/978-3-031-23336-4_2
Autor:
Anthony Shay
Publikováno v:
Dance Research. 39:222-246
This article looks at the multiple ways that folk dance has been staged in both the nineteenth century when character or national (the two terms were used interchangeably) dance was widely used in classical ballet, and the twentieth in which Igor Moi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f95609900904c09b6897987bbce91004
https://doi.org/10.3366/drs.2021.0344
https://doi.org/10.3366/drs.2021.0344
Autor:
Anthony Shay
Publikováno v:
Dance and Authoritarianism: These Boots Are Made for Dancing
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e05cbdbc53add8609ee2d32fefdb2e0a
https://doi.org/10.1386/9781789383522_6
https://doi.org/10.1386/9781789383522_6
Autor:
Anthony Shay
Publikováno v:
Dance and Authoritarianism: These Boots Are Made for Dancing
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1c5f5160315a289ccd6179d3b8ff399e
https://doi.org/10.1386/9781789383522_4
https://doi.org/10.1386/9781789383522_4