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pro vyhledávání: '"Anthony Kinik"'
Autor:
Anthony Kinik
Publikováno v:
Alphaville: Journal of Film and Screen Media, Iss 18, Pp 243-247 (2019)
At a time when the issue of authorship—and of the closely related notion of auteurism—can be seen to be waning in some ways in academic film studies, as new concerns and new areas of research continue to come to the fore, and older disciplinary c
Autor:
Anthony Kinik
In this chapter, Anthony Kinik explores Nick Cave’s shifting engagement with the rockumentary. Kinik also discusses two opposing trends or forces within the genre, anti-rockumentaries and meta-rockumentaries.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d3684a4a9bd93647641e59021b715717
https://doi.org/10.3366/edinburgh/9781474478021.003.0015
https://doi.org/10.3366/edinburgh/9781474478021.003.0015
The 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of ab
Autor:
anthony kinik
Publikováno v:
The City Symphony Phenomenon
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4bf1fbbe1035798508ac5bae5e664283
https://doi.org/10.4324/9781315619989-16
https://doi.org/10.4324/9781315619989-16
Autor:
Anthony Kinik
Publikováno v:
bâtir. :105-125
This essay expands upon the existing scholarship on Patrick Keiller by taking into consideration his extra-filmic career as a writer and scholar and especially his writings on film, art history, and geography. This perspective underlines Keiller’s