Zobrazeno 1 - 10
of 18
pro vyhledávání: '"Annelies Fryberger"'
Publikováno v:
Transposition, Vol 6 (2017)
In this interview, Georgina Born retraces the origins of two of her major ethnographic studies, at Ircam and the BBC, and delves into how she developed her specific, interdisciplinary methodology. She makes a convincing case for reading outside disci
Externí odkaz:
https://doaj.org/article/c34d2737d38a4ad094657bc8945a9b54
Autor:
Annelies Fryberger
Publikováno v:
Transposition, Vol 4 (2014)
Externí odkaz:
https://doaj.org/article/ee676e5ffc3b4fc4a8138ff86b94eac7
Autor:
Annelies Fryberger
Publikováno v:
Transposition, Vol 3 (2013)
Externí odkaz:
https://doaj.org/article/c227d68098da4ec6a3b5a2f99621dd70
Publikováno v:
Contemporary Music Review. 41:329-336
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::de74cb4ab2dea66747fb6afed84b8c5f
https://doi.org/10.1080/07494467.2022.2087388
https://doi.org/10.1080/07494467.2022.2087388
Autor:
Annelies Fryberger
Publikováno v:
Kunst und Gesellschaft ISBN: 9783658374280
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5743378602c1169a02176e6977c355b3
https://doi.org/10.1007/978-3-658-37429-7_4
https://doi.org/10.1007/978-3-658-37429-7_4
Autor:
Annelies Fryberger
Publikováno v:
Curator: The Museum Journal. 62:415-423
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e9bd1dedb6e4836d8c5da1a79a1943a1
https://doi.org/10.1111/cura.12332
https://doi.org/10.1111/cura.12332
Publikováno v:
Contemporary Music Review
Contemporary Music Review, Taylor & Francis, 2019, Spain beyond Spain: Contemporary Spanish Music in a Global Context, 38 (1-2), pp.164-179. ⟨10.1080/07494467.2019.1578127⟩
Contemporary Music Review, Taylor & Francis, 2019, Spain beyond Spain: Contemporary Spanish Music in a Global Context, 38 (1-2), pp.164-179. ⟨10.1080/07494467.2019.1578127⟩
International audience; This article looks at two Spanish composers active in France—Carlos de Castellarnau and Ramon Lazkano—to develop a reflection about how national belonging is used in contemporary art music, specifically for its evaluation
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f6830729fea45c601395c390633dc075
https://doi.org/10.1080/07494467.2019.1578127
https://doi.org/10.1080/07494467.2019.1578127
Autor:
Annelies Fryberger, Clément Canonne
Publikováno v:
Circuit : musiques contemporaines
Circuit : musiques contemporaines, Montreal : Presses de l'Université de Montreal, 2020, 30, pp.45-52
Circuit : musiques contemporaines, Montreal : Presses de l'Université de Montreal, 2020, 30, pp.45-52
We often think of art as structured in art worlds. But what lies between art worlds? Do we find spaces of undefined practices, or are interstitial practices also clearly defined? For this text, we interviewed 11 French artists with sound-based practi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8e0261067f62b119fdbcc84f0b49e9fb
https://hal.archives-ouvertes.fr/hal-02453464/document
https://hal.archives-ouvertes.fr/hal-02453464/document
Autor:
Annelies Fryberger
Publikováno v:
Poetics. 82:101475
This article looks at peer review in the “pure” pole (Bourdieu 1996; Dubois and Francois, 2013) of the artistic field, in contemporary art music. Based on observation of peer review panels in the United States and interviews with panelists in the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::79972b3634c20eea2aa8f094764971a2
https://doi.org/10.1016/j.poetic.2020.101475
https://doi.org/10.1016/j.poetic.2020.101475