Zobrazeno 1 - 10
of 111
pro vyhledávání: '"Anne-Marie Smith"'
Publikováno v:
PRISM (2024)
This is the story of a series of writing workshops with four undergraduate final year students, in a non-formal, non-graded, non-curriculum space. Students were introduced to ‘writing for wellbeing’ (WfW), using expressive writing strategies adap
Externí odkaz:
https://doaj.org/article/deaa057514e04ab8afa1788cea68d55d
Autor:
Anne-Marie Smith
Publikováno v:
PRISM, Vol 5, Iss 1, Pp 119-123 (2023)
The book ‘Creative Universities’ by Anke Schwittay (2021) is unlike any other academic text I have read about teaching; the pages buzz with hope, creative vision and radical possibilities, and it left me wanting to do my teaching differently, to
Externí odkaz:
https://doaj.org/article/d9b5305efcbc4896beb3f57e8b9ecac8
Autor:
Anne-Marie Smith
Publikováno v:
PRISM, Vol 5, Iss 1 (2022)
The book ‘Creative Universities’ by Anke Schwittay (2021) is unlike any other academic text I have read about teaching; the pages buzz with hope, creative vision and radical possibilities, and it left me wanting to do my teaching differently, to
Externí odkaz:
https://doaj.org/article/806f4c7020bf47c995f5d6f17be556c4
Autor:
Anne-Marie Smith-Di Biasio
Publikováno v:
Caliban: French Journal of English Studies, Vol 60, Pp 27-40 (2018)
A la lumière de la pensée de Walter Benjamin sur l'oubli comme la promesse paradoxale du souvenir, celle de Fédida sur la condition historique de la négativité d'une œuvre et de la théorie freudienne de Nachträglichkeit ou du sens à venir da
Externí odkaz:
https://doaj.org/article/c730efb28ad54f29a2c94f54ec6417e5
Autor:
Anne-Marie Smith-Di Biasio
Publikováno v:
Études Britanniques Contemporaines, Vol 49 (2015)
The premise of this paper is that in his adaptation of Terence Rattigan’s 1952 play The Deep Blue Sea, Terence Davies reimagines his film, though not exclusively, through the 1940’s woman’s picture, Brief Encounter (1945), thereby shifting a ta
Externí odkaz:
https://doaj.org/article/9dc0c10e96ca4aef8e603751b3ed6354
Autor:
Anne-Marie Smith-Di Biasio
Publikováno v:
Études Britanniques Contemporaines, Vol 48 (2015)
Language’s capacity to weave a veil through which nothing is seen in its actual shape, but rather as displaced or hollowed out, like an image’s negative or a sound in echo, is a fundamental trait of Woolf’s poetics. We first examine her writing
Externí odkaz:
https://doaj.org/article/983dcdd2892a452b8fc350fdc9baf49b
Publikováno v:
Études Britanniques Contemporaines, Vol 48 (2015)
Externí odkaz:
https://doaj.org/article/10c5f4838ad54be1ae37a890fa9af2c6
Autor:
Anne-Marie Smith-Di Biasio
Publikováno v:
Études Britanniques Contemporaines, Vol 48 (2015)
Externí odkaz:
https://doaj.org/article/644ca25005264ffda1f88165064a6dd3
Autor:
Anne-Marie Smith-Di Biasio
Publikováno v:
Literatura: Teoría, Historia, Crítica, Vol 15, Iss 2 (2012)
A partir d’un fragment de Neruda prononcé en stéréophonie dans une scène de traduction et de revenance qui est le pivot poétique et le kairos du film de Minghella, Truly, Madly, Deeply, cet article propose de montrer comment ce moment du poèm
Externí odkaz:
https://doaj.org/article/cec43017dccb4e7d9cc7a6eab00266f2
Autor:
Anne-Marie SMITH-DI BIASIO
Publikováno v:
E-REA, Vol 4, Iss 1 (2006)
Externí odkaz:
https://doaj.org/article/d6bb163ded2a417981ffa249bc1bf4db