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pro vyhledávání: '"Anne Kerlan-Stephens"'
Autor:
Anne Kerlan-Stephens
Publikováno v:
European Journal of East Asian Studies
European Journal of East Asian Studies, Brill Academic Publishers, 2007, 6.1, pp. 43-73
European Journal of East Asian Studies, Brill Academic Publishers, 2007, 6.1, pp. 43-73
Between 1930 and 1937, the Lianhua Film Company was one of the major studios in China, and in many ways was a symbol of modernity. The policy of the Company towards its actors was quite new and contributed to the creation of a new social status for t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6ca7a35a84977f0d9b30c695bfe48896
https://doi.org/10.1163/157006107x197664
https://doi.org/10.1163/157006107x197664
Autor:
Anne Kerlan-Stephens
Publikováno v:
Arts asiatiques. 60:31-61
Contrary to the mainstream of academic literature on 18th Chinese painting, centered as it is on well-trodden ground such as Beijing court painting or Yangzhou of the «Eight Eccentrics», there existed many regions graced with rich artistic communit
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::37f1d3b2f5ad710e00619c0d62319b1e
https://doi.org/10.3406/arasi.2005.1530
https://doi.org/10.3406/arasi.2005.1530
Autor:
Anne Kerlan-Stephens
Publikováno v:
Études Chinoises
Études Chinoises, Association française d'études chinoises, 2012, Art et Mémoire en Chine et à Taiwan, XXXI (2)
Études Chinoises, Association française d'études chinoises, 2012, Art et Mémoire en Chine et à Taiwan, XXXI (2)
Anne Kerlan, Filming for the Nation : The Newsreel and the Construction of Visual Memory in China, 1911-1941 This article re-examines the first developments of newsreel footage up until 1937 through the work of Li Minwei, a director originally from H
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::08815218f7988cd8f4968b001a215f19
https://halshs.archives-ouvertes.fr/halshs-01427154/document
https://halshs.archives-ouvertes.fr/halshs-01427154/document
Autor:
Anne Kerlan-Stephens
Publikováno v:
Périodiques Scientifiques en Édition Électronique.
Together with the development of cinema in China, newspapers and fanzines dedicated to the « seventh art » made their appearance from 1921 on. This genre, which relied entirely on private funds, continued to exist until 1951, following all the intr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::a9739ef6393bfe9a4289af4234e4dd78
https://www.persee.fr/doc/arasi_0004-3958_2011_num_66_1_1763
https://www.persee.fr/doc/arasi_0004-3958_2011_num_66_1_1763
Publikováno v:
Périodiques Scientifiques en Édition Électronique.
The Lianhua Film Company was, from its foundation in 1930 to the beginning of the war in 1937 when it almost completely stopped its activities, one of the pre-eminent film companies in China. Its producers, writers, filmmakers and actors worked with
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::ecc1f9608bf5e242f5a93e55dbbaa5a7
https://www.persee.fr/doc/arasi_0004-3958_2006_num_61_1_1647
https://www.persee.fr/doc/arasi_0004-3958_2006_num_61_1_1647
Autor:
Anne Kerlan-Stephens
Publikováno v:
Périodiques Scientifiques en Édition Électronique.
Anne KERLAN-STEPHENS : From image to action. Descriptions of paintings in Chinese literati culture Chinese painting has throughout its history inspired an impressive volume of literary activity. Many types of texts (collection catalogs, prose compila
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::361f740cf8472b0f45ef8d39e477ffbb
https://www.persee.fr/doc/etchi_0755-5857_2002_num_21_1_1309
https://www.persee.fr/doc/etchi_0755-5857_2002_num_21_1_1309
Autor:
Anne Kerlan-Stephens
Publikováno v:
Vacarme. 13:41
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6e28e6c6b09ac7a13fb10c25b833b6f7
https://doi.org/10.3917/vaca.013.0041
https://doi.org/10.3917/vaca.013.0041
Autor:
Irène Bonnaud, Anne Kerlan-Stephens
Publikováno v:
Vacarme. 11:58
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::14af1c9e78c0004bb2da8dd4acd384c6
https://doi.org/10.3917/vaca.011.0058
https://doi.org/10.3917/vaca.011.0058
Autor:
Marquet, Christophe
Publikováno v:
Autour des collections d’art en Chine au XVIIIe siècle
Anne Kerlan-Stephens; Michèle Pirazzoli-t’Serstevens. Autour des collections d’art en Chine au XVIIIe siècle, Droz; Ecole Pratique des Hautes Etudes, p. 43-58, 2008, 978-2-600-01338-3
Anne Kerlan-Stephens; Michèle Pirazzoli-t’Serstevens. Autour des collections d’art en Chine au XVIIIe siècle, Droz; Ecole Pratique des Hautes Etudes, p. 43-58, 2008, 978-2-600-01338-3
International audience
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::fe4ad8fb7910bcf34bf3e29c8608c9a5
https://halshs.archives-ouvertes.fr/halshs-02535173
https://halshs.archives-ouvertes.fr/halshs-02535173
Autor:
Brisset, Claire-Akiko
Publikováno v:
Du visible au lisible. Texte et image en Chine et au Japon
Anne Kerlan-Stephens et Cécile Sakai (dir.). Du visible au lisible. Texte et image en Chine et au Japon, Editions Philippe Picquier, pp.83-109, 2006, 2-87730-897-9
Anne Kerlan-Stephens et Cécile Sakai (dir.). Du visible au lisible. Texte et image en Chine et au Japon, Editions Philippe Picquier, pp.83-109, 2006, 2-87730-897-9
Cet article examine le moine Kûkai du point de vue de son rapport à l'écriture, à travers la présentation et l'interprétation des légendes qui se sont développées autour de cette figure fondatrice. La littérature narrative et hagiographique
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::70a080d673d10384e6bb070cae4c2b18
https://halshs.archives-ouvertes.fr/halshs-00161889
https://halshs.archives-ouvertes.fr/halshs-00161889