Zobrazeno 1 - 10
of 49
pro vyhledávání: '"Anne Kerlan"'
Autor:
Anne Kerlan
Publikováno v:
Conserveries Mémorielles, Vol 12 (2012)
Movie at its beginnings in China took over many places traditionally dedicated to Chinese culture (teahouse, gardens, theater and opera houses); however, it became very quickly obvious that movie screenings should be held in places that could mirror
Externí odkaz:
https://doaj.org/article/17b82ede8b4948f19f2df65155661856
Autor:
Anne Kerlan
Publikováno v:
Journal of Chinese Cinemas
Journal of Chinese Cinemas, 2021, 15 (1), pp.1-21. ⟨10.1080/17508061.2021.1926637⟩
Journal of Chinese Cinemas, 2021, 15 (1), pp.1-21. ⟨10.1080/17508061.2021.1926637⟩
This paper explores how the Lianhua Film Company, founded in 1930 and active until 1937, communicated its identity and project through its films. These drama films offered an idealized portrait of ...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::600276b560d3252558a0def39d21f92a
https://hal-cnrs.archives-ouvertes.fr/hal-03512781
https://hal-cnrs.archives-ouvertes.fr/hal-03512781
Publikováno v:
Hommes & migrations. :9-15
Redonner la parole aux accueillants ; interroger l’acte d’accueillir dans sa pesanteur historique… voici quelques-uns des objets de l’enquete actuellement menee au sein de l’Institut d’histoire du temps present. Fondee sur des archives et
Autor:
Anne Kerlan
Publikováno v:
Encyclopédie des historiographies : Afriques, Amériques, Asies
Encyclopédie des historiographies : Afriques, Amériques, Asies, Presses de l’Inalco, pp.298-306, 2020, ⟨10.4000/books.pressesinalco.23223⟩
Encyclopédie des historiographies : Afriques, Amériques, Asies, Presses de l’Inalco, pp.298-306, 2020, ⟨10.4000/books.pressesinalco.23223⟩
Le cinema est une technique et un art venu d’Occident que la Chine va devoir peu a peu adapter a son propre terrain et ses propres enjeux. Les films, les revues et autres documents consacres au cinema constituent autant de sources permettant de sui
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5c084c06986863448cf5edfeb4e9138e
https://halshs.archives-ouvertes.fr/halshs-03102585
https://halshs.archives-ouvertes.fr/halshs-03102585
Autor:
Anne Kerlan
Publikováno v:
Encyclopédie des historiographies : Afriques, Amériques, Asies
Encyclopédie des historiographies : Afriques, Amériques, Asies, Presses de l’Inalco, pp.612-620, 2020, ⟨10.4000/books.pressesinalco.24628⟩
Encyclopédie des historiographies : Afriques, Amériques, Asies, Presses de l’Inalco, pp.612-620, 2020, ⟨10.4000/books.pressesinalco.24628⟩
International audience
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3eada35277b8e0aeceedf2b391f2bc97
https://halshs.archives-ouvertes.fr/halshs-03102581
https://halshs.archives-ouvertes.fr/halshs-03102581
Autor:
Anne Kerlan-Stephens
Publikováno v:
European Journal of East Asian Studies
European Journal of East Asian Studies, Brill Academic Publishers, 2007, 6.1, pp. 43-73
European Journal of East Asian Studies, Brill Academic Publishers, 2007, 6.1, pp. 43-73
Between 1930 and 1937, the Lianhua Film Company was one of the major studios in China, and in many ways was a symbol of modernity. The policy of the Company towards its actors was quite new and contributed to the creation of a new social status for t
Autor:
Anne Kerlan-Stephens
Publikováno v:
Arts asiatiques. 60:31-61
Contrary to the mainstream of academic literature on 18th Chinese painting, centered as it is on well-trodden ground such as Beijing court painting or Yangzhou of the «Eight Eccentrics», there existed many regions graced with rich artistic communit