Zobrazeno 1 - 10
of 31
pro vyhledávání: '"Anne Dhu McLucas"'
Autor:
Anne Dhu McLucas
Publikováno v:
Journal of Film Music. 5:15-28
The “hurry” is one type of melo found in music for pantomime of the eighteenth century and throughout the nineteenth century in melodrama, after which it was adopted for silent film accompaniment, and then in scoring sound films. The use of “hu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::320132659097cdcc7efa19de61ccb58e
https://doi.org/10.1558/jfm.v5i1-2.15
https://doi.org/10.1558/jfm.v5i1-2.15
Autor:
William J. Bauer, Jr., Philip J. Greenfeld, S. Carol Berg, Nile R. Thompson, Carol Ward, John M. Shaw, Karl Davis, Margo Lukens, John C. Mohawk, Lee Schweninger, John Sanchez, Bruce Granville Miller, Christopher Bilodeau, Suzanne Griset, Anne Dhu McLucas, John W. Heaton, Helen Jaskoski, Maureen E. Smith, Paul V. Kroskrity
Publikováno v:
American Indian Culture and Research Journal. 29:119-172
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::83a36033ff50460493f2359d4ba2d77c
https://doi.org/10.17953/aicr.29.2.b92p23786475844x
https://doi.org/10.17953/aicr.29.2.b92p23786475844x
Autor:
Anne Dhu McLucas
Publikováno v:
Journal of the Society for American Music. 7:95-97
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::80b3c268ad29c9db3bd8b77694f2114f
https://doi.org/10.1017/s1752196312000491
https://doi.org/10.1017/s1752196312000491
Autor:
Anne Dhu McLucas
Publikováno v:
European Public Law. 9:269-294
Both musical counterpoint and EU law regulate relationships between complex entities: musical lines and legal orders, respectively. Musical counterpoint and EU law thus share an essential function. Clearly, there are contextual differences. However,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4062eb94352b195b2362310dec61d160
https://doi.org/10.54648/euro2003019
https://doi.org/10.54648/euro2003019