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pro vyhledávání: '"Anne C. McCarthy"'
Autor:
Anne C. McCarthy
Whether the rapt trances of Romanticism or the corpse-like figures that confounded Victorian science and religion, nineteenth-century depictions of bodies in suspended animation are read as manifestations of broader concerns about the unknowable in A
Autor:
Anne C. McCarthy
Publikováno v:
Essays in Romanticism. 25:123-139
With its strange blend of philosophical argument and intimate revelation, William Godwin’s Memoirs of Mary Wollstonecraft has long occupied a notorious place in literary history. Less attention, ho...
Publikováno v:
The Keats-Shelley Review. 31:116-119
The Keats Letters Project was conceived as an ongoing bicentennial celebration of John Keats’s correspondence. On the 200th anniversary of the original composition of each of the letters we recircu...
Autor:
Anne C. McCarthy
Publikováno v:
PMLA/Publications of the Modern Language Association of America. 132:543-557
The aesthetic of the sublime has long been associated with the language of elevation and height. Activities such as mountain climbing offer a physical correlative to this discourse. In these cases, the sublime is associated with a high point or summi
Autor:
Anne C. McCarthy, Chris Washington
Publikováno v:
Romanticism and Speculative Realism
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e73461917dc52ca0b58b4cbf16b68488
https://doi.org/10.5040/9781501336416-004
https://doi.org/10.5040/9781501336416-004
Autor:
Chris Washington, Anne C. McCarthy
Romanticism and Speculative Realism features a range of scholars working at the intersection of literary poetics and philosophy. It considers how the writing of the Romantic era reconceptualizes the human imagination, the natural world, and the langu
Autor:
Anne C. McCarthy
Publikováno v:
Studies in Romanticism. 54:355-375
UNDERSTANDING PERCY BYSSHE SHELLEY'S "MONT BLANC: LINES WRITTEN in the vale of Chamouni" (1816) most often means coming to terms with Mont Blanc itself. (1) "Remote, serene, and inaccessible," (2) the mountain dominates the poem, yet remains always j
Autor:
Anne C. McCarthy
Publikováno v:
Victorian Poetry. 47:221-239
The most compelling question in Tennyson's Maud (1855) is not, as some have suggested, "What is it, that has been done?" (1) but rather, "Who knows if he be dead?" (II.119). Both of these inquiries, in their immediate contexts, relate to the speaker'