Zobrazeno 1 - 10
of 25
pro vyhledávání: '"Annalaura Casanova Municchia"'
Publikováno v:
Applied Sciences, Vol 14, Iss 16, p 6943 (2024)
The impact of lichens on the conservation of monuments, such as the World Heritage Site (WHS) of Cappadocian churches, presents a multifaceted challenge for conservators. Previous studies have shown that lichens can both induce deterioration processe
Externí odkaz:
https://doaj.org/article/7121fe14edc44d2d87eb24a8e7a94318
Publikováno v:
Frontiers in Microbiology, Vol 14 (2023)
In recent decades, the relationship between Science and Art has been gradually strengthened through the use of diagnostic, conservation, and valorization technologies. New technologies can also be used to support the creation and durability of bio-ar
Externí odkaz:
https://doaj.org/article/7649d5acdd9047ee8f59e7f2d92ef4d2
Publikováno v:
Condensed Matter, Vol 9, Iss 1, p 5 (2024)
Handheld X-ray Fluorescence devices (HH-XRF) have given archaeologists and conservators the opportunity to study a wide range of materials encountered in their work with great accessibility and flexibility. The investigation of copper-based artefacts
Externí odkaz:
https://doaj.org/article/9206079532a849e59d4af9ca52764096
Autor:
Daniela Isola, Flavia Bartoli, Annalaura Casanova Municchia, Hyun Ju Lee, Seon Hye Jeong, Yong Jae Chung, Giulia Caneva
Publikováno v:
Journal of Cultural Heritage. 61:116-126
Akademický článek
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Autor:
Annalaura Casanova Municchia, Enrico Fiorin, P Biocca, Luca Tortora, Maria Antonietta Ricci, Armida Sodo
Publikováno v:
Journal of Raman Spectroscopy. 50:150-160
Raman spectroscopy and time of flight secondary ion mass spectrometry (ToF‐SIMS) were used to answer conservation questions left open after the preliminary analysis performed by the restoration team on the Bosch painting Saint Wilgefortis Triptych,
Autor:
Annalaura Casanova Municchia, Marcello Leotta, Flavia Bartoli, Giulia Caneva, Sebastiano Luciano
Publikováno v:
International Biodeterioration & Biodegradation. 160:105214
In April 2016, William Kentridge realized the bio-artwork “Triumphs and Laments” along the Tiber embankments, representing a figures procession, chosen as relevant steps of Roman history. The drawing rose in negative after applying a stencil onto
Publikováno v:
The Open Conference Proceedings Journal. 7:39-54
Publikováno v:
Nubian Archaeology in the XXIst Century
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b55182ab4675e50fd162811711e0a501
https://doi.org/10.2307/j.ctv1q26wt1.48
https://doi.org/10.2307/j.ctv1q26wt1.48